| Summary: | 碩士 === 南華大學 === 視覺與媒體藝術學系 === 102 === Ching-Yun Art Association was the first to established folk art groups in the early retrocession of Taiwan's, since 1948 until 1988 after forty exhibited, it has witnessed the development of Taiwan’s art, also showed an important context of retrocession art history, and has their special historical significance and value.
In this thesis, Ching-Yun Art Association will be for the spindle in the Japanese colonial period and early retrocession period, and be Collation, analysis, data collection in art, by induction, examine the develop of painting , to investigate rise condition and historical background of its .
This paper is in five chapters as the research framework," Chapter I: Exordium", the researching motive is from individual grandfather, Huang Jianghai to mentioned, and spoke of research methods and architecture, as well as the expected and the experience difficulty during writing process. "Chapter II: Japanese colonial period to the early retrocession period of Taiwan art Changes", discussion the Japanese colonial period to the early recovery of the political, economic, social and cultural change, and this time government-run art exhibition with the Taiwan art change.” Chapter III: Rise and decay of Ching-Yun Art Association ", from the origin and development of painting to talked about, discussion membership structure of Ching-Yun Art Association, and Continuation of interaction at Ching-Yun Art Association with Taiyang Art Association."Chapter IV: Analytical discussion the paintings of artists in Ching-Yun Art Association ", analysis and rendered that successive of Ching-Yun Art Association, and painters and paintings, and the rise and decay of Ching-Yun Art Association."Chapter V: Conclusion".
With this study to understand the historical context of Ching-Yun Art Association, and keep an important historical data and resource in Taiwan early art development.
|
|---|
