The Homosexual Subject and It''s Art of Expression in Chiang-Hsun''s Literay Writings.

• Main Authors: Li-chi Liao, 廖儷琪
• Other Authors: Chen-Nien Tsai
• Format: Others
• Language: zh-TW
• Published: 2014
• Online Access: http://ndltd.ncl.edu.tw/handle/xq77yu

碩士 === 國立中山大學 === 中國文學系研究所 === 102 === This essay reveals Chiang Hsun''s standpoint about esthetical appreciation related to documents and the conversation during the speeches he had delivered. As a result, his statement is based on the subversion of social morality and ethical repressed injustice. 　　Under this basis, the author chooses the psychoanalysis, social psychology and humanism from the field of psychology to analyze and attempt to realize the reasons why Chiang often uses literature as a weapon to resist against social morality and ethical repression as he is rooted by the concept of Confucianism and Buddhism. Besides, he also quotes western art from many ways to support homosexuality. 　　On the other hand, the shock from the death of Chiang’s father makes him finally break through the identity hiding in the bottom of his heart for a long time. 　　Look back into Chiang’s works from 1993《Because Loneliness》to 2006《Vacances Secrets》, it''s apparent to feel his writing style gradually come to a balance along with self-personality inside and social impression outside. Therefore, he makes some differences on the narrative viewpoint and narrative structure which makes《Vacances Secrets》providing with stream of consciousness the age trend be filled with eagerly requirement response to internal humanity. Moreover, he reviews the essential definition of love for himself by the dialogues between the characters in his works, which becomes representative work after Chiang experienced gender identification for himself.