| Summary: | 碩士 === 國立臺南大學 === 美術學系碩士班 === 102 === Based on the image presentation of tittles, the thesis studies figure painting as the subject of Chinese ink painting creation. It attempts to integrate the Chinese ink painting extension of pointillism and the viewpoints or theories behind the techniques. It manages to combine the surface image features and the internal character implication, which searches for new possibilities of presenting figure in painting and builds up an individual style of ink and wash art creation.
The method of tracing to the source is applied to sort out the art pedigree of pointillism. It probes into the theory construction, the aesthetic development and the creation presentation of pointillism in Chinese ink painting. It compares and analyzes the eastern and western viewpoints of pointillism creation and the creation concept of artists applying pointillism, which reflects the study basis of presenting pointillism, integrates the contemporary pointillism into presenting figure in Chinese ink painting and remodels the new pursuit of external forms and internal spirits. The creation study also tries to carve out a new presentation of pointillism.
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