An Analysis of Johannes Brahms' 《String Quartet No. 35 Op. 67》
碩士 === 國立臺南大學 === 音樂學系音樂科教學碩士班 === 102 === This thesis provides an analysis of Johannes Brahms’s String Quartet No. 3, Op. 67, as a reference to music educator and researcher. This thesis consists of five chapters: the first one, Introduction, confirms the direction and scope of this research. The s...
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ndltd-TW-102NTNT12480022019-05-15T21:03:28Z http://ndltd.ncl.edu.tw/handle/qegxuv An Analysis of Johannes Brahms' 《String Quartet No. 35 Op. 67》 約翰尼斯‧布拉姆斯《降B大調弦樂四重奏,作品六十七》之分析研究 Hung, Liang-Yen 洪良燕 碩士 國立臺南大學 音樂學系音樂科教學碩士班 102 This thesis provides an analysis of Johannes Brahms’s String Quartet No. 3, Op. 67, as a reference to music educator and researcher. This thesis consists of five chapters: the first one, Introduction, confirms the direction and scope of this research. The second and third chapters explore the life and works of Johannes Brahms, with a focus of his music style, especially his chamber compositions. The fourth chapter provides a detailed analysis of tonalities, formal structures, modulations, harmonic vocabularies, motives, and melodic materials of his String Quartet, No. 3, Op. 67. The final chapter of this thesis summarizes Brahms’ music styles, particularly the contents and compositional techniques used in this string quartet, which illustrate his music constructed on the basic structural of Classicism, yet some of his harmonic colorations and modulatory techniques reveal certain degree of Romanticism. Hou, Chih-Cheng 侯志正 2013 學位論文 ; thesis 161 zh-TW |
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碩士 === 國立臺南大學 === 音樂學系音樂科教學碩士班 === 102 === This thesis provides an analysis of Johannes Brahms’s String Quartet No. 3, Op. 67, as a reference to music educator and researcher. This thesis consists of five chapters: the first one, Introduction, confirms the direction and scope of this research. The second and third chapters explore the life and works of Johannes Brahms, with a focus of his music style, especially his chamber compositions. The fourth chapter provides a detailed analysis of tonalities, formal structures, modulations, harmonic vocabularies, motives, and melodic materials of his String Quartet, No. 3, Op. 67. The final chapter of this thesis summarizes Brahms’ music styles, particularly the contents and compositional techniques used in this string quartet, which illustrate his music constructed on the basic structural of Classicism, yet some of his harmonic colorations and modulatory techniques reveal certain degree of Romanticism.
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author2 |
Hou, Chih-Cheng |
author_facet |
Hou, Chih-Cheng Hung, Liang-Yen 洪良燕 |
author |
Hung, Liang-Yen 洪良燕 |
spellingShingle |
Hung, Liang-Yen 洪良燕 An Analysis of Johannes Brahms' 《String Quartet No. 35 Op. 67》 |
author_sort |
Hung, Liang-Yen |
title |
An Analysis of Johannes Brahms' 《String Quartet No. 35 Op. 67》 |
title_short |
An Analysis of Johannes Brahms' 《String Quartet No. 35 Op. 67》 |
title_full |
An Analysis of Johannes Brahms' 《String Quartet No. 35 Op. 67》 |
title_fullStr |
An Analysis of Johannes Brahms' 《String Quartet No. 35 Op. 67》 |
title_full_unstemmed |
An Analysis of Johannes Brahms' 《String Quartet No. 35 Op. 67》 |
title_sort |
analysis of johannes brahms' 《string quartet no. 35 op. 67》 |
publishDate |
2013 |
url |
http://ndltd.ncl.edu.tw/handle/qegxuv |
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