Something About Love:Image fables are composed of the two dimension parts

• Main Authors: Chen I Jun, 陳奕潤
• Other Authors: Yu-Yi Chu
• Format: Others
• Language: zh-TW
• Published: 2013
• Online Access: http://ndltd.ncl.edu.tw/handle/h4v777

碩士 === 國立臺灣師範大學 === 美術學系 === 102 === Painting as a "fable", with "Something About Love" series created for the main study, mainly covering mass market "collective memory" of the story for the base of creation. Returning to childhood "fairy tales" and "animation and comics" state of mind, the operation is not just to win a visual pleasure, but through a "symbolic" system and a "metaphor" approach carries nonverbal speech. To point out the "double thinking" reflects modern information explosion due to conflicting thoughts arising in such as sugarcoated poison like it also implies a better characterization under many social realities surface. The paper is divided into four chapters to be discussed and extension. The first chapter is a description of the creator’s growth background and research motivation, through their diverse culture shock stacked a hybrid context of drawn works; The second chapter describes the use of oriental spiritual influence, part of fairy tales fable vocabulary, doublethink deductive, approaches organizational performance of the work has already been stylized manner, labeling for dismantling the artistic vocabulary, and its as diversity image parts of a painting operation; The third chapter assembled inductive analysis and common part of success, ways of thinking and phenomena observed contemporary artists whom is recognized by the market, from which extracts the search scope for Creation Research themes from religion, national identity, life, passion, erotic love, death and other issues formations complex ideas philosophizing; The fourth chapter presented each creating practical experience from the actual creative practice philosophy, content, form, creative media and painting techniques, until the series, can be regarded as a continuation of traditional allegorical painting, the final overall conclusion was the artist’s own creation research.