The Analysis and Interpretation of Six Fantasias, Excerpts from《Twelve Fantasias for Flute without Bass》by Georg Philipp Telemann

• Main Authors: Yi-Ting Wu, 巫逸婷
• Other Authors: Jen-Ying Hwang
• Format: Others
• Language: zh-TW
• Published: 2014
• Online Access: http://ndltd.ncl.edu.tw/handle/85422487200757593267

碩士 === 國立臺北教育大學 === 音樂學系碩士班 === 102 === In the 18th century, George Philip Telemann （1681-1767） is one of the prestigious German composers. In his later years, he had composed four groups of fantasia for four instruments, harpsichord, flute, violin and viola da gamba. Six fantasia from the 《Twelve Fantasias for Flute without Bass》were chosen in the current study for further analysis and interpretation. This dissertation contains four chapters. Chapter one explains the motive and the purpose and scope of the study and methods. Chapter two introduce the composer's life, writing style, as well as the impact of his time in the eighteenth century. Chapter three is the analysis and interpretation; each piece will be presented in a table form. Then the personal interpretation will be present in spectra of the individual part. The final chapter is the conclusion.