L. v. Beethoven Violin Sonata No.1:Music Analysis and Performance Interpretation
碩士 === 國立臺灣藝術大學 === 音樂學系 === 102 === This thesis aims to discuss Violin Sonatas No.1 in D major, Op.12 of Ludwig van Beethoven (1770-1827). As early as the Baroque period, there were violin sonatas, but they were similar to the so-called trio sonatas. Until the classical period in Vienna, the instr...
Main Authors: | , |
---|---|
Other Authors: | |
Format: | Others |
Language: | zh-TW |
Published: |
2014
|
Online Access: | http://ndltd.ncl.edu.tw/handle/71792073819023082392 |
id |
ndltd-TW-102NTUA0248006 |
---|---|
record_format |
oai_dc |
spelling |
ndltd-TW-102NTUA02480062016-03-16T04:14:34Z http://ndltd.ncl.edu.tw/handle/71792073819023082392 L. v. Beethoven Violin Sonata No.1:Music Analysis and Performance Interpretation 貝多芬第一號小提琴奏鳴曲作品12之一:音樂分析與演奏詮釋 Huang, Yuan-Yuan 黃圓媛 碩士 國立臺灣藝術大學 音樂學系 102 This thesis aims to discuss Violin Sonatas No.1 in D major, Op.12 of Ludwig van Beethoven (1770-1827). As early as the Baroque period, there were violin sonatas, but they were similar to the so-called trio sonatas. Until the classical period in Vienna, the instrumental music such as the violin and the piano began to improve and thrive. The center of music transformed from the vocal music to the instrumental music. In the progress of the violin sonata, Beethoven’s contribution plays an essential part. The thesis focuses on the musical analysis and performance discussion of Violin Sonata No.1 in five chapters. Chapter One is the introduction to specify the motive, the purpose, the research area and the approaches. Chapter Two is about the progress of the violin sonatas in the Baroque and classical periods. The books, periodicals, and theses on music history at home and abroad are the materials. By consulting and organizing the large number of documents, I will study the progress of this music genre in terms of the evolution of the musical instrument and the musical form. In Chapter Three, in terms of Beethoven’s musical creating process, I will continue my discussion on his alternative creating style and process from the Baroque and classical periods to the Romantic period. Chapter Four is the musical analysis of Beethoven’s Violin Sonatas No.1 in D major, Op.12. I will apply the musical analytical approaches and the related documents and books to discuss the structure and creating style of each movement. In Chapter Five, I will discuss the interpretation of the performance and offer my personal performing opinions. Chapter Six is the conclusion. I will share my research result and afterthought with the readers. OuYang, Hui-Kang 歐陽慧剛 2014 學位論文 ; thesis 72 zh-TW |
collection |
NDLTD |
language |
zh-TW |
format |
Others
|
sources |
NDLTD |
description |
碩士 === 國立臺灣藝術大學 === 音樂學系 === 102 === This thesis aims to discuss Violin Sonatas No.1 in D major, Op.12 of Ludwig van Beethoven (1770-1827). As early as the Baroque period, there were violin sonatas, but they were similar to the so-called trio sonatas. Until the classical period in Vienna, the instrumental music such as the violin and the piano began to improve and thrive. The center of music transformed from the vocal music to the instrumental music. In the progress of the violin sonata, Beethoven’s contribution plays an essential part.
The thesis focuses on the musical analysis and performance discussion of Violin Sonata No.1 in five chapters. Chapter One is the introduction to specify the motive, the purpose, the research area and the approaches. Chapter Two is about the progress of the violin sonatas in the Baroque and classical periods. The books, periodicals, and theses on music history at home and abroad are the materials. By consulting and organizing the large number of documents, I will study the progress of this music genre in terms of the evolution of the musical instrument and the musical form. In Chapter Three, in terms of Beethoven’s musical creating process, I will continue my discussion on his alternative creating style and process from the Baroque and classical periods to the Romantic period. Chapter Four is the musical analysis of Beethoven’s Violin Sonatas No.1 in D major, Op.12. I will apply the musical analytical approaches and the related documents and books to discuss the structure and creating style of each movement. In Chapter Five, I will discuss the interpretation of the performance and offer my personal performing opinions. Chapter Six is the conclusion. I will share my research result and afterthought with the readers.
|
author2 |
OuYang, Hui-Kang |
author_facet |
OuYang, Hui-Kang Huang, Yuan-Yuan 黃圓媛 |
author |
Huang, Yuan-Yuan 黃圓媛 |
spellingShingle |
Huang, Yuan-Yuan 黃圓媛 L. v. Beethoven Violin Sonata No.1:Music Analysis and Performance Interpretation |
author_sort |
Huang, Yuan-Yuan |
title |
L. v. Beethoven Violin Sonata No.1:Music Analysis and Performance Interpretation |
title_short |
L. v. Beethoven Violin Sonata No.1:Music Analysis and Performance Interpretation |
title_full |
L. v. Beethoven Violin Sonata No.1:Music Analysis and Performance Interpretation |
title_fullStr |
L. v. Beethoven Violin Sonata No.1:Music Analysis and Performance Interpretation |
title_full_unstemmed |
L. v. Beethoven Violin Sonata No.1:Music Analysis and Performance Interpretation |
title_sort |
l. v. beethoven violin sonata no.1:music analysis and performance interpretation |
publishDate |
2014 |
url |
http://ndltd.ncl.edu.tw/handle/71792073819023082392 |
work_keys_str_mv |
AT huangyuanyuan lvbeethovenviolinsonatano1musicanalysisandperformanceinterpretation AT huángyuányuàn lvbeethovenviolinsonatano1musicanalysisandperformanceinterpretation AT huangyuanyuan bèiduōfēndìyīhàoxiǎotíqínzòumíngqūzuòpǐn12zhīyīyīnlèfēnxīyǔyǎnzòuquánshì AT huángyuányuàn bèiduōfēndìyīhàoxiǎotíqínzòumíngqūzuòpǐn12zhīyīyīnlèfēnxīyǔyǎnzòuquánshì |
_version_ |
1718205869595820032 |