To Investigate the Researcher's Role Interpretation and Process of Production in Final Project “So Far So Close” in 2013

• Main Authors: Chang, Chih-Yun, 張豑勻
• Other Authors: Tseng, Jao-Hsun
• Format: Others
• Language: zh-TW
• Published: 2014
• Online Access: http://ndltd.ncl.edu.tw/handle/72298316389535845144

碩士 === 國立臺灣藝術大學 === 舞蹈學系 === 102 === This thesis documents a research on the process of role expression in graduate dance degree show “So Far So Close” in 2013. The dance show was a final degree show of MA dance program at National Taiwan University of Arts performed by the author herself, Mi-Mi Lin, and Siao-Jyun Huang. The show consisted of a total of five pieces demonstrating various behaviours between a man and a woman in love. The choreographer choreographed the works based on actual stories of Chih-Yun Chang, Mi-Mi Lin, and Siao-Jyun Huang themselves, and sophisticatedly depicted the affections between lovers.Based on her own participation in rehearsals and performances, and referred to literatures of theories in performing skills and drama performances, the author conducts the study with in-depth analysis on the dancer’s processes to interpret role experiencing and physical presentations through the form of dance.The main objectives are as below: 1.To make the dancers feel each other’s physical movements, breathes and rhythms in rehearsals, and explore new approaches of physical interpretations. 2.To initiate the dancers to reconstruct the mobility and contexts of their dance motions, and advance in both their level and their scope of performances. 3.To turn abstract emotional feelings into realistic affective symbols by the dancer’s physical interpretations, to express the emotions and spirits of the works via dancers’ motions, and to deepen audience experience of the roles and the scenes. Keywords:dance, performance, role interpretation