Golden Mirage

• Main Authors: Lee Shih Hwa, 李思樺
• Other Authors: Chang Ching Yuan
• Format: Others
• Language: zh-TW
• Published: 2014
• Online Access: http://ndltd.ncl.edu.tw/handle/12874145519849869873

碩士 === 國立臺南藝術大學 === 應用藝術研究所 === 102 === These works use such complex elements as figurines, anthropomorphized animals, vessels and elaborate decorations to create my “deficit.” Moreover, the ultimate objective of this creative research was to embrace creating art as a process of self spiritual healing. As such, the complex and drawn out artistic process is used to relieve the pressure long exerted by “satisfaction” and “emptiness,” thereby transforming the inner “mythology of my work. My creative research includes: Chapter one – deficit; analysis of my own background and the origins of the sense of deficit: Chapter two – beginning to end: analysis of elements used in all different creative periods and their connectivity: Chapter three – creative ideas: concepts that inform the formal interpretation of the works and their close relationship to culture: Chapter four – refinement: a discussion of the language of clay and technical conceptualization from the perspective of materials used, while emphasizing the dialogue between realizing art and the spatial arena in which it is realized: Chapter five – conclusion – organization and summation of the changing history and ideas that inform interpretations of these works.