| Summary: | 博士 === 國立臺南藝術大學 === 藝術創作理論研究所博士班 === 102 === This paper which is divided into five chapters, aims to investigate the new type perception model provoked by “perceived perceptual image” pattern of video art so as to refuse a kind of rapidly-defined. It also makes a breakthrough in contemporary image works that inherit camera obscura logic so that “phantasmagoria” of camera obscura can be maintained while realizing elimination of single view and spirit of bodily practice symbolized by stereoscope. Therefore, this paper focuses on an idea that video art emphasizes on obtaining a kind of reversible and mobile image works from perception and thought; in other words, after perception of image is indeed awakened, viewer’s “perceptive awareness of image perception” should also be awakened during such perception of image. In short, that is “re-perceptual effect on image perception”. This paper not only reviews and generalizes artistic development process of specified works from perspectives of “perceptive image”, “poetic image” and “perceived perceptual image”, but also discusses correlation between image tool evolution and thinking logic transformation and investigates a new mode provided by video installation for watching and perceiving image works.
Another focus of the paper is established on the fact that the author himself is the video creators. And this paper is dedicated to the interpretation of uniqueness of video media. As a result, the video is endowed with creativity and openness and author interests along with videos of different periods are also reflected. Thus, the interpretation is proposed on the basis of relative creative experience of video media, except to relevant literatures. Meanwhile, author’s works since 2002 are mainly explored.
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