A Study on Igor Stravinsky’s Neoclassicism Work Octet for Wind Instruments

碩士 === 國立臺北藝術大學 === 音樂學研究所 === 102 === This article discusses how Igor Stravinsky (1882-1971) connected his neoclassicism works "Octet for Wind Instruments" with the past. First, this study introduced theory of Anxiety of Influence proposed by Harold Bloom (B. 1930), and how to use this th...

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Bibliographic Details
Main Authors: Yu-Tze Li, 李育慈
Other Authors: 王美珠
Format: Others
Language:zh-TW
Published: 2014
Online Access:http://ndltd.ncl.edu.tw/handle/y2k475
Description
Summary:碩士 === 國立臺北藝術大學 === 音樂學研究所 === 102 === This article discusses how Igor Stravinsky (1882-1971) connected his neoclassicism works "Octet for Wind Instruments" with the past. First, this study introduced theory of Anxiety of Influence proposed by Harold Bloom (B. 1930), and how to use this theory''s concepts of revisionary ratios to explain the influence of music creation. Second, this article also attempted to interpret the historical context and the concept of neo-classicalism. And then, it claimed to establish the core concept of Stravinsky’s neoclassical stylistic works through integrating Stravinsky’s comments, life of composer experience and other related studies. Third, in his neoclassicism works, this study concentrated his 1920s’ work Octet which Stravinsky''s composing style transformed obviously as an example to analyze its content and the structure of the musical text. Eventually, by context, events, chamber ensemble organization and textual analysis of Octet, this article commenced to define characteristics and connection with the past of neo-classical style was presented in the Octet.