「Representing Chekhov」:The Production and Design Process for《Segull》

碩士 === 國立臺北藝術大學 === 劇場設計學系碩士班 === 102 === This report takes the design and production process of «Seagull» as example. It discusses about how the lighting designer plays different roles in different process of production, with his thoughts and ways of dealing with problems. At the same time, also e...

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Main Authors: Chun-Chieh Lee, 李俊傑
Other Authors: 簡立人
Format: Others
Language:zh-TW
Published: 2014
Online Access:http://ndltd.ncl.edu.tw/handle/23717855848925031132
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spelling ndltd-TW-102TNUA57570012017-06-07T04:37:06Z http://ndltd.ncl.edu.tw/handle/23717855848925031132 「Representing Chekhov」:The Production and Design Process for《Segull》 「重現契柯夫」以《海鷗》製作及設計過程為例 Chun-Chieh Lee 李俊傑 碩士 國立臺北藝術大學 劇場設計學系碩士班 102 This report takes the design and production process of «Seagull» as example. It discusses about how the lighting designer plays different roles in different process of production, with his thoughts and ways of dealing with problems. At the same time, also explains how he uses director''s idea as foundation, and then combines different thoughts from stage and costume design, to create the appropriate lighting language for the script. During the whole production time, through different kinds of theory analysis and stimulating, the lighting designer, the writer of this report, also went through everything he has learned at school. With this he tries to merge lighting images between realistic and symbolic by challenging himself. At last, it will be examined by performance result and put to test the difference between theory and practice. 簡立人 2014 學位論文 ; thesis 175 zh-TW
collection NDLTD
language zh-TW
format Others
sources NDLTD
description 碩士 === 國立臺北藝術大學 === 劇場設計學系碩士班 === 102 === This report takes the design and production process of «Seagull» as example. It discusses about how the lighting designer plays different roles in different process of production, with his thoughts and ways of dealing with problems. At the same time, also explains how he uses director''s idea as foundation, and then combines different thoughts from stage and costume design, to create the appropriate lighting language for the script. During the whole production time, through different kinds of theory analysis and stimulating, the lighting designer, the writer of this report, also went through everything he has learned at school. With this he tries to merge lighting images between realistic and symbolic by challenging himself. At last, it will be examined by performance result and put to test the difference between theory and practice.
author2 簡立人
author_facet 簡立人
Chun-Chieh Lee
李俊傑
author Chun-Chieh Lee
李俊傑
spellingShingle Chun-Chieh Lee
李俊傑
「Representing Chekhov」:The Production and Design Process for《Segull》
author_sort Chun-Chieh Lee
title 「Representing Chekhov」:The Production and Design Process for《Segull》
title_short 「Representing Chekhov」:The Production and Design Process for《Segull》
title_full 「Representing Chekhov」:The Production and Design Process for《Segull》
title_fullStr 「Representing Chekhov」:The Production and Design Process for《Segull》
title_full_unstemmed 「Representing Chekhov」:The Production and Design Process for《Segull》
title_sort 「representing chekhov」:the production and design process for《segull》
publishDate 2014
url http://ndltd.ncl.edu.tw/handle/23717855848925031132
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