Thinking and Creativity of the Chinese Calligraphy between Characters

• Main Authors: Chang, Pi-Yun, 張碧雲
• Other Authors: Huang, Zhi-Yang
• Format: Others
• Language: zh-TW
• Published: 2015
• Online Access: http://ndltd.ncl.edu.tw/handle/58345668883476784516

碩士 === 華梵大學 === 美術學系碩士班 === 103 === ABSTRACT Chinese calligraphy is a special artistic expression, taking characters for the material and brush-pen and ink for the media . To primary understand the composition of Chinese calligraphy is on their text and evolution, plus the rich and varied lines of strokes, making paper and ink with the varied changes. Western paintings emphasized the changes of lights and shades, nevertheless, Chinese calligraphy focused on the artistry of pen and ink, applying the beauty skills on the paper for thousands of years. In addition to a vivid of strokes and ever-changing lines of Chinese characters , each stage of the fermentation and development would show the unique Chinese culture , the font evolution in the seal script, official script, cursive script, semi-cursive script and the standard script determine the changes in the lines, either square, or round, long or flat ,and exhibit the expansion inside the box, and yet remain the whole system and changes. The simple-making process of Calligraphy meets not only the pragmatism, but also adds artistry. Throughout history of all time, the most accomplished calligraphers learned the ancient calligraphy clinically ,explored the classical aesthetics to cast into their personalities and combined the ages and environments to innovate, is the so-called "in-word " grounded theory. Because of closely association between the calligraphic art and humanism, connect with the personal foundation deeply. While the knowledge comes from books and roads, and also enhance the calligraphic frame of mind, thus the unique style that is "out-word " discipline, both are indispensable . The distinction of Chinese calligraphy art performance with the external and internal respectively, outside is "shape" of the writing techniques, namely drawing, structure, space , arrangements ; inherent abstract realm of "charm"-- the spirit of calligraphy, with the expression of the author from his or her thought, temperament and the mood. In this thesis, "Thinking and Creativity of the Chinese Calligraphy between Characters", one is from "in-word" nutrients, and the other is explore the art of calligraphy in daily life required "out-word" discipline. There are five chapters in the full text, the first chapter contains research motivation ,purpose, research methods, the second chapter explores theoretical basis, the third chapter discuss the conception of the creation with "in-word" and "out-word" theory of calligraphy and creative thinking . The fourth chapter analyzes author's representative works . Chapter five is the conclusion.