| Summary: | 碩士 === 國立成功大學 === 藝術研究所 === 103 === Chinese Modern Painting is Chuang Che (1934-) collectively for Chinese Modern Painting, it is also held by the Artistic concept. As a veteran of Fifth moon group, and the Taiwan representative of modern painting and influential artists, his creations transcend the inherent form, pen implied connotation of life care, even if Western abstract syntax, mediums and techniques to interpret the natural landscape. However, the performance of the ink and thinking continuation of character of Chinese traditional writing. While in both East and West compatibility times, thereby transforming at different time, building and development, Chinese Modern Painting aesthetic ideology context.
Due to the impact of western culture in 1950s, modern painting movement faces many tests and choice. Chuang Che is how breakthrough from the frame, and mellow transplant and inheritance, even though he is live abroad, the process is still active in the art world with the times. This study discusses the sociology of art cut from Chuang Che background of the times, backtracking cultural awareness Fifth Moon and East group, artistic styles and forms and manifestations, in order to dispel doubts inspired and influenced Chuang Che obtained; Secondly, the use of literature analysis analyze Chuang Che Chinese Modern Painting thinking, according to Chuang Che record first-hand information, as well as newspapers and magazines reviews, research, interviews and other existing data, summarizing Chuang Che's beliefs and aspirations; Finally, this study use art style analysis, to investigate Chuang Che modern landscape form and spirit meaning, to clarify Chuang Che change the course of development of painting, breakthroughs and innovation, Further work in the landscape perspective symbol image, in order to find the actual situation described by the passage embodied oriental elements and Western elements, showing the value of art lies.
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