A study of the Creative Image and Shape and Color“ Space-Time.Encounter”
碩士 === 國立高雄師範大學 === 視覺設計學系 === 103 === Abstract Based on Piet Mondrian and literatures regarding to Neo-Plasticism as the doctrinal foundation, the creative study herein used literature analysis as the research method, where a variety of images and forms, plasticism and color and photography sketche...
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ndltd-TW-103NKNU56340022016-08-28T04:11:49Z http://ndltd.ncl.edu.tw/handle/54711997889955716567 A study of the Creative Image and Shape and Color“ Space-Time.Encounter” 「時空.相遇」影像與形色創作研究 Shih-Fa Ou 歐世發 碩士 國立高雄師範大學 視覺設計學系 103 Abstract Based on Piet Mondrian and literatures regarding to Neo-Plasticism as the doctrinal foundation, the creative study herein used literature analysis as the research method, where a variety of images and forms, plasticism and color and photography sketches designed and painted were analyzed and regressed, so as to quote and interpret the conceptual framework of creator’s masterpieces. Creation and photography of "Images and forms" is an integrated exploration of in a new thinking mode, an expression of a new visual design, among of which, researchers expected to explore any possibility behind combinations of versified media including complex mediums and images, images and forms, association between plasticism and color design through creation. In a creation, division and subtraction mode were used to extract purity and simplicity behind an image, digitalizing images or pictures and then corresponding or extending with geometric color blocks, vertical lines and horizontal lines, further discovering power generated from the lines in the works and rhythm including harmony generated on the screen. The creative Study herein was only on the theoretical basis, where a total of five topics, twenty works were created. Series 1:「Encounter • Tradition」, It remained interpreting the staggered moment between traditional objects and creators; these are creative masterpieces converted from the visual design of scenes. Series 2: 「Encounter • Window Lattice」, Creators visualized languages and objects which were designed and corresponding to simple elements of images in a simple detached manner. Series 3:「Encounter • Plants」, Creators originated nature to inspire beauty of self-expression, meditating across lines and blocked colors, and stepping on the sensed scenes filled with pieces of images and forms. Series 4:「Encounter • Shape &; Color」, Plasticism and color is everywhere in our daily life; most of the interpreted topics in the creation had funny and rational considerations, also emotional feelings, through such allegorical composition, division and colors; as a matter of fact, it refers to requirements of coordination and ego style. Series 5:「Encounter • Formation」, Creators risen rhythm and visual impact on those abstract concept universally based on of the concept of dualism through straight lines and lines among images, special design patterns represented by colored blocks. From viewpoints of topics that creators interpreted their quest for visual design, in addition to an expectation of importing theory and creation in parallel manner and creating cognition of images’ new value, they also expected to bring new reference of design for later researchers. Keyword: Neo-Plasticism, Photo-collage ,Shape and color Yi-Hsun Lee 李億勳 2015 學位論文 ; thesis 65 zh-TW |
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碩士 === 國立高雄師範大學 === 視覺設計學系 === 103 === Abstract
Based on Piet Mondrian and literatures regarding to Neo-Plasticism as the doctrinal foundation, the creative study herein used literature analysis as the research method, where a variety of images and forms, plasticism and color and photography sketches designed and painted were analyzed and regressed, so as to quote and interpret the conceptual framework of creator’s masterpieces.
Creation and photography of "Images and forms" is an integrated exploration of in a new thinking mode, an expression of a new visual design, among of which, researchers expected to explore any possibility behind combinations of versified media including complex mediums and images, images and forms, association between plasticism and color design through creation.
In a creation, division and subtraction mode were used to extract purity and simplicity behind an image, digitalizing images or pictures and then corresponding or extending with geometric color blocks, vertical lines and horizontal lines, further discovering power generated from the lines in the works and rhythm including harmony generated on the screen.
The creative Study herein was only on the theoretical basis, where a total of five topics, twenty works were created.
Series 1:「Encounter • Tradition」, It remained interpreting the staggered moment between traditional objects and creators; these are creative masterpieces converted from the visual design of scenes.
Series 2: 「Encounter • Window Lattice」, Creators visualized languages and objects which were designed and corresponding to simple elements of images in a simple detached manner.
Series 3:「Encounter • Plants」, Creators originated nature to inspire beauty of self-expression, meditating across lines and blocked colors, and stepping on the sensed scenes filled with pieces of images and forms.
Series 4:「Encounter • Shape &; Color」, Plasticism and color is everywhere in our daily life; most of the interpreted topics in the creation had funny and rational considerations, also emotional feelings, through such allegorical composition, division and colors; as a matter of fact, it refers to requirements of coordination and ego style.
Series 5:「Encounter • Formation」, Creators risen rhythm and visual impact on those abstract concept universally based on of the concept of dualism through straight lines and lines among images, special design patterns represented by colored blocks.
From viewpoints of topics that creators interpreted their quest for visual design, in addition to an expectation of importing theory and creation in parallel manner and creating cognition of images’ new value, they also expected to bring new reference of design for later researchers.
Keyword: Neo-Plasticism, Photo-collage ,Shape and color
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author2 |
Yi-Hsun Lee |
author_facet |
Yi-Hsun Lee Shih-Fa Ou 歐世發 |
author |
Shih-Fa Ou 歐世發 |
spellingShingle |
Shih-Fa Ou 歐世發 A study of the Creative Image and Shape and Color“ Space-Time.Encounter” |
author_sort |
Shih-Fa Ou |
title |
A study of the Creative Image and Shape and Color“ Space-Time.Encounter” |
title_short |
A study of the Creative Image and Shape and Color“ Space-Time.Encounter” |
title_full |
A study of the Creative Image and Shape and Color“ Space-Time.Encounter” |
title_fullStr |
A study of the Creative Image and Shape and Color“ Space-Time.Encounter” |
title_full_unstemmed |
A study of the Creative Image and Shape and Color“ Space-Time.Encounter” |
title_sort |
study of the creative image and shape and color“ space-time.encounter” |
publishDate |
2015 |
url |
http://ndltd.ncl.edu.tw/handle/54711997889955716567 |
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