| Summary: | 碩士 === 國立中山大學 === 中國文學系研究所 === 103 === Abstract
During the mid-Tang dynasty, the ideas of Realism rose and Confucianism, known as Confucian Pragmatism, surfed to surface. Bai Juyi became the voice of people to depict their life and the society while Liu Zongyuan described the society via criticism and sarcasm in his essays and allegories, which both of them advocate.
Bai Juyi and Liu Zhenyuan were the leaders of poetry in mid-Tang dynasty meanwhile Liu Zongyuan’s work became understated.
The various perspectives of Liu Zongyuan’s poetry from readers of different dynasties and the acceptances of his writing styles will be discussed in this paper. According to Roman Ingarden, literatures are categorized into the followings: the surface structure of languages, the deep structure of languages, the aesthetic objects, and the schematized aspects. The analysis of Liu’s poetry by means of the four categories indicates how readers nowadays taste the deep meaning and the aesthetics Liu conveyed as well as his characteristics. Extensively thinking, there will be discussion about the reason why Liu’s poetry was unpopular in Tang dynasty by considering the Tang’s and Song’s various inside factors and outside environment. Systematically and historically appreciating Liu’s features, the author connects the Liu, Liu’s works and readers, hoping to go deep into literature and grasp it as a whole.
Keywords：Liu Zongyuan,Roman Ingarden,An Aesthetic of Reception,Relegate,Tang poetry
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