Dripping and Instantaneousness: Time and Space Aspects of Image in Ink Painting Creative Discourse

• Main Authors: Chia-Hsun Lee, 李佳恂
• Other Authors: Chien-Fa Chen
• Format: Others
• Language: zh-TW
• Published: 2015
• Online Access: http://ndltd.ncl.edu.tw/handle/nvdrts

碩士 === 國立臺南大學 === 視覺藝術與設計學系視覺藝術教學碩士班 === 103 === A single image of water has been chosen in this study as the subject of the discussion on water ink painting. The intention is to engage in a dialogue on the spatial awareness via the exterior appearance and the interior characteristics of the image of water, and at the same time describe all visual possibilities that could be shaped with the intervention of time. The abstractness and imaging of the image awakens the long-ignored inner spirit and allows people to feel the truthfulness of oneself and total freedom, and the spirit is liberated after the procedure has ended. Try to listen to the sound of all the dripping droplets of water in the work and feel the unlimited possibilities opening up in a split second to comprehend the super-realistic being. Determine the viewpoints and interpretation of the perspectives for the outside world and the inside world through subjective selection of the concepts in the work. This creation study adopts "Dripping and instantaneousness" as the subject of discussion, and it is discussed in three parts based on the core concept of "time and space aspects of image". The first part is the "theory and ideology of the foundation of inspiration", which describes the aspects of creation by looking at how the work changes and reflects nature. The first part also looks at the interpretation of instantaneousness and the meanings behind the image, and explains the aesthetics of "instantaneousness" via the concepts of time and space which came about as a result of philosophical analysis. The second part discusses artists' creative ideas and the construct of ideas about picture composition from three concepts within the aspect of "analysis and discussion of artistic ideas". These three concepts are "intervention of time in space and image", "repetitiveness and repeated writing", and "traces in images". The artist’s works are. The third part is "interpretation and analysis of creation ideas", At the very beginning of the study, I tries to use "gel" to create isolation and integration to help present textures and layers in water ink painting and further discuss the meanings that correspond to the image itself. Through the construction of one's own creative ideas and creation elements, the form of presentation is confirmed, and through interpretation and analysis of the artwork, the creation viewpoints are expressed. Regarding to the research method adopted in this study, I have primarily adopted art theories and Eastern and Western philosophy and aesthetics as the foundation. I have also explored the cultural awareness from the "mingling of East and West" and the spiritual legacy of water ink painting's aesthetics to explain the ways art creators use their own acute self-awareness to explore the true experiences that result from the collision of their own consciousness with the environment around them, and this experience can be used to introspect and observe of the nature of life.