A Visible Action Track --- The Linear Art

• Main Authors: Lee-Chiu, Chun-Ju, 李邱鈞如
• Other Authors: Chen, Shu-Hwa
• Format: Others
• Language: zh-TW
• Published: 2015
• Online Access: http://ndltd.ncl.edu.tw/handle/95m3a2

碩士 === 國立臺灣師範大學 === 美術學系 === 103 === The choices of my works targets are up to the principle of the inner drive. The linear form has played a very important role in my creations, which include the internal struggle of my music background into college of art and my great passions to calligraphy and literature. Starting from the staff, calligraphy and finally to the oil painting, the lines explained the objective elements and my subjective expression. Quoted from Henri Bergson’s and Makhail M. Bakhtin’s philosophy expounding about the lines, colors extension and subject construction, Wassily Kandinsky and the music theory of Arnold Schönberg into the field of painting. My works emphasized on the purity and music presented by the vision, and they are also the inner drive leading to my creation. From this point of view, there should be not any outer limitation to art creation. What the creator needs is just the inner impulse and demand, We could express our concepts in any appropriate way, such as the traditional Japanese poem---“Haiku”. The personal style can be accomplished through the outer form built by the inner drive. However, not all the styles could survive, what we really seek for is the inner spirit of art. The exchange of the primary and secondary for lines and music represented the art form in this thesis. The lines are the major realistic part, and the music is extended in a spiritual way. The exchange process of the sensibility of substances and the spiritual ideas are the keys of this thesis and the creations.