Yangqin Pieces and Its Application in Music Theater－Fantasia in b minor－A Tribute to Chopin and Rhapsody

• Main Authors: Yu,Jia-Ling, 俞佳伶
• Other Authors: Chen,Shih-Yu
• Format: Others
• Language: zh-TW
• Published: 2015
• Online Access: http://ndltd.ncl.edu.tw/handle/45625508781201354109

碩士 === 中國文化大學 === 音樂學系中國音樂組 === 103 === Music theater, a term introduced in 20th century, originates from Germany. In contrast to traditional opera, music theater is presented with the application of new musical and dramatic concepts as well as an unconventional performing style. A variety of experimental techniques are also added to works of music theater as an attempt to go beyond the traditional approaches. In recent years, as performing style starts to shift, many works have begun to be presented with the addition of plot, stage lighting, choreography and characters, adding layers to the performance. Moreover, many musicians and performing arts groups are eager to embrace the music theater, which, in turn, increases acceptance from the audience. However, the combination of music theater and solo music is relatively rare. This study presents an interpretation and analysis of Xu Xue-Dong’s “Fantasia in b minor－A Tribute to Chopin” and Wang Dan-Hong’s “Rhapsody” by looking into their music forms, creation background and musical elements. By incorporating the concept of music theater into musical interpretation, it is hoped that this thesis helps explore the possibilities for crossover between Yangqin solo and other forms of arts.