Graduate Institute of Cultural and Creative Design Tung Fang Design University
碩士 === 東方設計學院 === 文化創意設計研究所 === 103 === Nostalgia is the subject of the artwork. The author applied the method of watercolor painting with Chinese ink drawing skills and Chinese ink drawing with watercolor painting skills, to discover each technique and inspiration. It also elaborates the inner conn...
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ndltd-TW-103TFDU07850072019-05-15T22:07:57Z http://ndltd.ncl.edu.tw/handle/86zzn9 Graduate Institute of Cultural and Creative Design Tung Fang Design University 「懷舊」水彩水墨化-水墨水彩化-張羣岳水彩創作 Chang, Chun-Yueh 張羣岳 碩士 東方設計學院 文化創意設計研究所 103 Nostalgia is the subject of the artwork. The author applied the method of watercolor painting with Chinese ink drawing skills and Chinese ink drawing with watercolor painting skills, to discover each technique and inspiration. It also elaborates the inner connotation and the self-reflection via outer environment. Watercolor was the main material with the Chinese ink drawing to produce the combination of vision and spirit. The viewer was brought back to nostalgic memories through the shadow of blur and darkness. The author attempted to apply eastern and western techniques to explore the new field for the nostalgic aesthetic feeling. The drawing creation progresses are endowed with various material and techniques. The author tried all the techniques to utilize new concepts and skills to blend into the watercolor painting and Chinese ink drawing in order to access the deeper cultural contents. It may not the keynote of the mixture of the west and the east. The significant purport of this research is the author has eager to try to represent a new vision. Su, Ying-Zheng Huang, Chia-Hui 蘇英正 黃佳慧 2015 學位論文 ; thesis 71 zh-TW |
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碩士 === 東方設計學院 === 文化創意設計研究所 === 103 === Nostalgia is the subject of the artwork. The author applied the method of watercolor painting with Chinese ink drawing skills and Chinese ink drawing with watercolor painting skills, to discover each technique and inspiration. It also elaborates the inner connotation and the self-reflection via outer environment.
Watercolor was the main material with the Chinese ink drawing to produce the combination of vision and spirit. The viewer was brought back to nostalgic memories through the shadow of blur and darkness. The author attempted to apply eastern and western techniques to explore the new field for the nostalgic aesthetic feeling. The drawing creation progresses are endowed with various material and techniques. The author tried all the techniques to utilize new concepts and skills to blend into the watercolor painting and Chinese ink drawing in order to access the deeper cultural contents. It may not the keynote of the mixture of the west and the east. The significant purport of this research is the author has eager to try to represent a new vision.
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author2 |
Su, Ying-Zheng |
author_facet |
Su, Ying-Zheng Chang, Chun-Yueh 張羣岳 |
author |
Chang, Chun-Yueh 張羣岳 |
spellingShingle |
Chang, Chun-Yueh 張羣岳 Graduate Institute of Cultural and Creative Design Tung Fang Design University |
author_sort |
Chang, Chun-Yueh |
title |
Graduate Institute of Cultural and Creative Design Tung Fang Design University |
title_short |
Graduate Institute of Cultural and Creative Design Tung Fang Design University |
title_full |
Graduate Institute of Cultural and Creative Design Tung Fang Design University |
title_fullStr |
Graduate Institute of Cultural and Creative Design Tung Fang Design University |
title_full_unstemmed |
Graduate Institute of Cultural and Creative Design Tung Fang Design University |
title_sort |
graduate institute of cultural and creative design tung fang design university |
publishDate |
2015 |
url |
http://ndltd.ncl.edu.tw/handle/86zzn9 |
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