Application of Projection Mapping for Creations:Poject mapping
碩士 === 亞洲大學 === 數位媒體設計學系 === 103 === Now the developmentpattern ofcomputer technology in this is not impossible to integrate art with other spheres.Specifically, the development of multimedia arts and its integration with computer technology have becomecurrent mainstream. Artists experimentvarious m...
Main Authors: | , |
---|---|
Other Authors: | |
Format: | Others |
Language: | zh-TW |
Published: |
2015
|
Online Access: | http://ndltd.ncl.edu.tw/handle/2rkgac |
id |
ndltd-TW-103THMU0804002 |
---|---|
record_format |
oai_dc |
spelling |
ndltd-TW-103THMU08040022019-05-15T21:51:47Z http://ndltd.ncl.edu.tw/handle/2rkgac Application of Projection Mapping for Creations:Poject mapping 實物投影應用創作:光雕 Min-Neng Chen 陳敏能 碩士 亞洲大學 數位媒體設計學系 103 Now the developmentpattern ofcomputer technology in this is not impossible to integrate art with other spheres.Specifically, the development of multimedia arts and its integration with computer technology have becomecurrent mainstream. Artists experimentvarious media to integrate with movies,theatrics, and dance. This integration is not only develop the Visual Arts, that alsopromote the cooperation with different spheres. In Taiwan, The original creator believes that of Taiwan indigenous culture is very unique part of the culture, is a worthy carry forward ancient culture. Through indigenous ceremonies, housing, hunting, and carving practices, we observed the influence from various environment, indigenous promote differentparticular culture in different area.However, to adapt to Taiwan’s modernization, the indigenous traditions and cultures have gradually declined. Such a situation is the reason motivatingartists to fuse the characteristics of indigenous culture into the presentation of the interdisciplinary arts. This paper presents a study on the cultural characteristics of Taiwanese aborigines. The findings enable story creators to compile the traditional lifestyle and ceremonial culture of Taiwanese aborigines into distinctly characteristic video content. Subsequently, the story is presented using spatiotemporal animation methods combined with projection technology. Through variations in lighting brightness and color and the three-dimensional sense of the performance stage, visual illusionsamong the audience can be created, generating visual 3D effects. Thus, the audience canperceive the beliefs of Taiwanese aborigines and the essence of aboriginal ceremonies. Wilson Liao Yuan-Jung Lee 廖文祥 李元榮 2015 學位論文 ; thesis 48 zh-TW |
collection |
NDLTD |
language |
zh-TW |
format |
Others
|
sources |
NDLTD |
description |
碩士 === 亞洲大學 === 數位媒體設計學系 === 103 === Now the developmentpattern ofcomputer technology in this is not impossible to integrate art with other spheres.Specifically, the development of multimedia arts and its integration with computer technology have becomecurrent mainstream. Artists experimentvarious media to integrate with movies,theatrics, and dance. This integration is not only develop the Visual Arts, that alsopromote the cooperation with different spheres.
In Taiwan, The original creator believes that of Taiwan indigenous culture is very unique part of the culture, is a worthy carry forward ancient culture. Through indigenous ceremonies, housing, hunting, and carving practices, we observed the influence from various environment, indigenous promote differentparticular culture in different area.However, to adapt to Taiwan’s modernization, the indigenous traditions and cultures have gradually declined. Such a situation is the reason motivatingartists to fuse the characteristics of indigenous culture into the presentation of the interdisciplinary arts.
This paper presents a study on the cultural characteristics of Taiwanese aborigines. The findings enable story creators to compile the traditional lifestyle and ceremonial culture of Taiwanese aborigines into distinctly characteristic video content. Subsequently, the story is presented using spatiotemporal animation methods combined with projection technology. Through variations in lighting brightness and color and the three-dimensional sense of the performance stage, visual illusionsamong the audience can be created, generating visual 3D effects. Thus, the audience canperceive the beliefs of Taiwanese aborigines and the essence of aboriginal ceremonies.
|
author2 |
Wilson Liao |
author_facet |
Wilson Liao Min-Neng Chen 陳敏能 |
author |
Min-Neng Chen 陳敏能 |
spellingShingle |
Min-Neng Chen 陳敏能 Application of Projection Mapping for Creations:Poject mapping |
author_sort |
Min-Neng Chen |
title |
Application of Projection Mapping for Creations:Poject mapping |
title_short |
Application of Projection Mapping for Creations:Poject mapping |
title_full |
Application of Projection Mapping for Creations:Poject mapping |
title_fullStr |
Application of Projection Mapping for Creations:Poject mapping |
title_full_unstemmed |
Application of Projection Mapping for Creations:Poject mapping |
title_sort |
application of projection mapping for creations:poject mapping |
publishDate |
2015 |
url |
http://ndltd.ncl.edu.tw/handle/2rkgac |
work_keys_str_mv |
AT minnengchen applicationofprojectionmappingforcreationspojectmapping AT chénmǐnnéng applicationofprojectionmappingforcreationspojectmapping AT minnengchen shíwùtóuyǐngyīngyòngchuàngzuòguāngdiāo AT chénmǐnnéng shíwùtóuyǐngyīngyòngchuàngzuòguāngdiāo |
_version_ |
1719121669721686016 |