The Image Writing of Space:The Flow of Time

碩士 === 國立臺北藝術大學 === 美術學系碩士在職專班 === 103 === The thesis is based on the creations between 2010 and 2012. The discussion and thought of the thesis is presented the core of creation and the process of operation through writing, the interesting matters and ideas on the section of the personal creation....

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Main Authors: PEI-FANG TSAI, 蔡佩芳
Other Authors: 陳愷璜
Format: Others
Language:zh-TW
Published: 2015
Online Access:http://ndltd.ncl.edu.tw/handle/33d4jj
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spelling ndltd-TW-103TNUA52330012019-05-15T21:59:09Z http://ndltd.ncl.edu.tw/handle/33d4jj The Image Writing of Space:The Flow of Time 空間的影像書寫:時間的流變 PEI-FANG TSAI 蔡佩芳 碩士 國立臺北藝術大學 美術學系碩士在職專班 103 The thesis is based on the creations between 2010 and 2012. The discussion and thought of the thesis is presented the core of creation and the process of operation through writing, the interesting matters and ideas on the section of the personal creation. I write a space, and a place. The kind of experience of the daily life is spread around ”House” / ”Room” / ”Path” of the internal and external space . It is through the image of writing to build my world view. The appearance and image around “House” are the main subject of the creation in the section during the accumulated period. Urban and rural scenery and dwelling emotion freeze the sense of time through the capture of the image medium and performance. During the process of creation, I continue to think what the possibility of the image as medium is. What is the emotion of operator, taker, and observer? I seek and entrust myself, space and life through the image writing existing. It never disappears even though with the flow of time and the migration of dwelling. Perhaps it is my sense of belonging through keeping creating. And it continues to speak from my heart. There are four chapters in the thesis. The first chapter, “The prologue of the image writing”, elaborates that the motivation of the creation. How to use the videotape as the performance of medium, and the implication of named works. The second chapter, “There” / “Here”, explains the interesting issue and support through practices composed to express what the world view is. The third chapter, ”The duplicated path”, emphasizes the analysis of the creative style. The fourth chapter, ”The creation is a question”, tries to forward discuss the creative implication and operation of three plans. 陳愷璜 2015 學位論文 ; thesis 51 zh-TW
collection NDLTD
language zh-TW
format Others
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description 碩士 === 國立臺北藝術大學 === 美術學系碩士在職專班 === 103 === The thesis is based on the creations between 2010 and 2012. The discussion and thought of the thesis is presented the core of creation and the process of operation through writing, the interesting matters and ideas on the section of the personal creation. I write a space, and a place. The kind of experience of the daily life is spread around ”House” / ”Room” / ”Path” of the internal and external space . It is through the image of writing to build my world view. The appearance and image around “House” are the main subject of the creation in the section during the accumulated period. Urban and rural scenery and dwelling emotion freeze the sense of time through the capture of the image medium and performance. During the process of creation, I continue to think what the possibility of the image as medium is. What is the emotion of operator, taker, and observer? I seek and entrust myself, space and life through the image writing existing. It never disappears even though with the flow of time and the migration of dwelling. Perhaps it is my sense of belonging through keeping creating. And it continues to speak from my heart. There are four chapters in the thesis. The first chapter, “The prologue of the image writing”, elaborates that the motivation of the creation. How to use the videotape as the performance of medium, and the implication of named works. The second chapter, “There” / “Here”, explains the interesting issue and support through practices composed to express what the world view is. The third chapter, ”The duplicated path”, emphasizes the analysis of the creative style. The fourth chapter, ”The creation is a question”, tries to forward discuss the creative implication and operation of three plans.
author2 陳愷璜
author_facet 陳愷璜
PEI-FANG TSAI
蔡佩芳
author PEI-FANG TSAI
蔡佩芳
spellingShingle PEI-FANG TSAI
蔡佩芳
The Image Writing of Space:The Flow of Time
author_sort PEI-FANG TSAI
title The Image Writing of Space:The Flow of Time
title_short The Image Writing of Space:The Flow of Time
title_full The Image Writing of Space:The Flow of Time
title_fullStr The Image Writing of Space:The Flow of Time
title_full_unstemmed The Image Writing of Space:The Flow of Time
title_sort image writing of space:the flow of time
publishDate 2015
url http://ndltd.ncl.edu.tw/handle/33d4jj
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