| Summary: | 碩士 === 國立臺北藝術大學 === 美術學系碩士在職專班 === 103 === Living in this noisy world with irritation happening every day, people tend to have more time with themselves, trying to feel the existence of “true-self”. The content of this artwork is about individuals getting perplexed in time and space, and by obstructing interference from the outside world, having conversation with oneself, the individual can see how he exists in the relationship.
“Gaze” is a phenomenon that causes dividing when observers are viewing. The division, which sees the image as self and an ideal character (giving the concept of “me, but not only the same me.”), brings difference.Gazing from the angle of the others, it is a division of an individual who both observes and being observed.
The topic of this artwork is “gazing”, and it is distributed into four sections; discussing works and the creating process through 2012 to 2015, and used figures to express the artwork. Started from the environment nowadays, and gradually went back to self-conscious aspect., tending to analyze and develop extensions of creation from self.
The first chapter gives reasons and illustration on the researching topic, and establishes a clear research range. The second part displays ink-painting figures and its development. Psychology of analyzing the culture of characters’ image and development of Eastern women’s figure are also shown. The third part is expressed from the view of painting, explaining reasons of the production and the progress,withchinese traditional gongbi drawing . The last chapter is focus onthe form of the work, the idea of this creation, and the creating process. The conclusion chapter sums up the study and the creation.
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