| Summary: | 碩士 === 長榮大學 === 美術系(所) === 104 === Chinese landscape has been existed for a long time that with different styles representing different creating ways of each dynasty. Even now, Chinese landscape is still developing a new style. In this age, it is hard to say which style can be represented because it is too short for the history fluid. One of the ways for the present Chinese landscape is observing and sketching the real views from the nature by the western method. Artist uses this western method that is different from the past on their performance, but it doesn’t change on the expressing of feeling.Artist tries to find out something which is closing to the real life and make their performance more touch audience’s heart via taking pictures and collecting the information from their traveling experience in the nature. In this study, the Author combines traditional Chinese landscape and western sketch skills to present the feeling of traveling free in the nature and the artistic conception of traditional Chinese landscape.
I. instruction: describe the research direction, method, and purpose of this study.
II. The discussion of traveling free in the nature: To understand the transform of Chinese landscape and the creating concepts.
III. Trees and stones: we are going to talk about aesthetics from aspect of modeling, connotation, chromatics, and other theories.
IV. The idea of traveling free in the nature: no matter pass or now, the author gives the artistic conception and meaning.
V. The practice and analysis: In this chapter, the author analysis the creating ideas and result according to the theories.
VI. Conclusion: Review and reflect this period. Provide some advices for the future creating.
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