The Analysis and Interpretation of Chopin’s Ballade No. 1, Op. 23
碩士 === 輔仁大學 === 音樂學系 === 104 === The word“ballade”is derived from the verb“balar”, meaning “to dance”, in the Provençal language of the medieval period. Initially, it was associated with music, dance and literature. During its evolution, the term came to be applied to the combination of music and li...
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ndltd-TW-104FJU002480142019-05-15T22:42:55Z http://ndltd.ncl.edu.tw/handle/99tp88 The Analysis and Interpretation of Chopin’s Ballade No. 1, Op. 23 蕭邦《第一號敘事曲》作品23之分析與詮釋 LIU,TZU-YU 劉子瑜 碩士 輔仁大學 音樂學系 104 The word“ballade”is derived from the verb“balar”, meaning “to dance”, in the Provençal language of the medieval period. Initially, it was associated with music, dance and literature. During its evolution, the term came to be applied to the combination of music and literature. Chopin made the ballade a large-scale piano genre, retaining the quality of dance and narration from the Middle Ages, and imbuing it with dramatic tension and lyricism. Chopin’s ballades also have some special characteristics in regard to form, tonality and harmony. We find these characteristics in the First Ballade, a piece that offers a range of interpretation. In this thesis, the author analyzes the formal, motivic, thematic, tonal and harmonic elements, and compares the different interpretations of Arthur Schoonderwoerd (1966-), Arthur Rubinstein (1887-1982) and Garrick Ohlsson (1948-). This analysis also makes references to Chopin’s life, musical style, the development of the ballade style, and the characteristics of Chopin’s ballades. As a conclusion, the author describes his manner of interpretation. WANG,MIN-HWEY 王敏蕙 2016 學位論文 ; thesis 74 zh-TW |
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碩士 === 輔仁大學 === 音樂學系 === 104 === The word“ballade”is derived from the verb“balar”, meaning “to dance”, in the Provençal language of the medieval period. Initially, it was associated with music, dance and literature. During its evolution, the term came to be applied to the combination of music and literature. Chopin made the ballade a large-scale piano genre, retaining the quality of dance and narration from the Middle Ages, and imbuing it with dramatic tension and lyricism. Chopin’s ballades also have some special characteristics in regard to form, tonality and harmony. We find these characteristics in the First Ballade, a piece that offers a range of interpretation.
In this thesis, the author analyzes the formal, motivic, thematic, tonal and harmonic elements, and compares the different interpretations of Arthur Schoonderwoerd (1966-), Arthur Rubinstein (1887-1982) and Garrick Ohlsson (1948-). This analysis also makes references to Chopin’s life, musical style, the development of the ballade style, and the characteristics of Chopin’s ballades. As a conclusion, the author describes his manner of interpretation.
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author2 |
WANG,MIN-HWEY |
author_facet |
WANG,MIN-HWEY LIU,TZU-YU 劉子瑜 |
author |
LIU,TZU-YU 劉子瑜 |
spellingShingle |
LIU,TZU-YU 劉子瑜 The Analysis and Interpretation of Chopin’s Ballade No. 1, Op. 23 |
author_sort |
LIU,TZU-YU |
title |
The Analysis and Interpretation of Chopin’s Ballade No. 1, Op. 23 |
title_short |
The Analysis and Interpretation of Chopin’s Ballade No. 1, Op. 23 |
title_full |
The Analysis and Interpretation of Chopin’s Ballade No. 1, Op. 23 |
title_fullStr |
The Analysis and Interpretation of Chopin’s Ballade No. 1, Op. 23 |
title_full_unstemmed |
The Analysis and Interpretation of Chopin’s Ballade No. 1, Op. 23 |
title_sort |
analysis and interpretation of chopin’s ballade no. 1, op. 23 |
publishDate |
2016 |
url |
http://ndltd.ncl.edu.tw/handle/99tp88 |
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