A Study on Connoisseurship of Calligraphy Works in Tang and Song Dynasty in Chung Tao Ko Pavilion
博士 === 明道大學 === 國學研究所 === 104 === There were three times of fever of collecting Chinese calligraphy in Chinese history. The third time happened during from late Qing dynasty to Early R.O.C.; one of the well-known art collector at the period, Jingfu Pei (1855-1926) had passion for acquiring calligrap...
Main Authors: | LO,SHENG-LUN, 羅笙綸 |
---|---|
Other Authors: | LI,WEN-JEN |
Format: | Others |
Language: | zh-TW |
Published: |
2016
|
Online Access: | http://ndltd.ncl.edu.tw/handle/25539496238195519061 |
Similar Items
-
Painting and Calligraphy Display Space and Graphic Shape in Tang and Song Dynasties
by: CAI,JING-YE, et al.
Published: (2017) -
The Artistry of Yang Xian’s Calligraphy Works
by: Sheng-lun Lo, et al.
Published: (2010) -
Research on the Pavilion Prose of the Song Dynasty
by: Hsu, Ching-Chung, et al.
Published: (2019) -
On Understanding And Interpretation About Wang Xizhi’s Calligraphy During the Tang and Song Dynasties
by: HUNG, WEN-HSIUNG, et al.
Published: (2014) -
The Chinese Calligraphy of the Epitaphs of Tang Dynasty
by: Chih-Pi, Chang, et al.
Published: (2014)