An artist’s new nomadic state

• Main Authors: WU, CHUI-CHUAN, 吳垂娟
• Other Authors: LEE, CHIN-NING
• Format: Others
• Language: zh-TW
• Published: 2017
• Online Access: http://ndltd.ncl.edu.tw/handle/69tk3r

碩士 === 國立高雄師範大學 === 美術學系 === 106 === Nowadays people live in this complicated modern technology world. The rapid changing lead people easily to lose their identities . Most people just follow the mass media and act on impulse without making their own judgments. The effect of this electronic generation is that modern people living in passive ,empty, hopelessness without certainty in the future. As a result, modern people get anxiety by an unpleasant status of inner turmoil from situations which have contortion ideas and unstable actions, artists as well; there are nothing but the moment of eternal life of philosophy. Caravaggio (1571-1610), Pissarro (1830-1903), Gauguin (1848-1903) are the examples of the traditional “concept of nomadism”, from the 16th century to the early 20th century. They demonstrated their own unique style in the works of art with the experiences and memories of travel and migration over their lives, which presented various aspects of beauty, culture, and humanistic meaning. The “concept of nomadism” have a new interpretation and perspective within computer networking sitese, artists become more creativeness and activeness. . Travel encourages myself being plentifully philosophical and growing to see the vision in life. Active creativity evoked my thinking of the main culture inwardly, an additional new life to practice, which is the phenomenon of the advent of the technologic era of the world. The mind is easy to produce a number of overlapping images of the rapid conversion; activities also make the creative work more brilliant, with the different generations of people gathered in the conversation, easy to roll out the bottom of courage inwardly, perhaps with the things years ago or vivid imaginations from my mind. The connection between the past and the sparklike moment is the "visual experience of the world through hearts" presented in the storytelling images. This thesis presented in six chapters in a total of fourteen sections, including 27 creative works, the appendix to the exhibition activities records. The topics of works included Oriental Islamic Culture; The Romance and Firmness of Women; The Anti-colonial Hatred; The Creative Link of Information Network Neurons; The Thought of The Wheel of The Times; Atlantis' Association of The Ocean; Chanting Sorrow And Desolate of Love; Comparison of The State of Contemporary Artists; The Wandering Between Contemporary And Postcolonial With Oriental Tradition And Western Notion...etc. Art is a manifestation of culture, discussion, communication, rebuttal so that the understanding and stimulate creativity, ideology. If in a vigorous and enthusiastic status, the distance is no longer important, the essence of thought is of most meaning ever. For long-term creativity from the bottom of heart, coordination of self-thinking to understand their own or foreign culture, we are striving toward and creating a multifaceted cross-border arts exchanges. As Victor Hugo said going, “The man who finds his homeland sweet is still a tender beginner; he to whom every soil is as his native one is already strong ; but he is perfect to whom the entire world is as a foreign land. The tender soul has fixed his love on one spot in the world; the strong man has extended his love to all places; the perfect man has extinguished his”.