The Study of “Monodrame I” by Taïra Yoshihisa

• Main Authors: CHEN,TZU-PING, 陳子平
• Other Authors: CHANG,YU-YING
• Format: Others
• Language: zh-TW
• Published: 2016
• Online Access: http://ndltd.ncl.edu.tw/handle/3269s3

碩士 === 國立高雄師範大學 === 音樂學系 === 104 === Since the twentieth century, multiple percussion's solo pieces are too numerous to mention individually. One denomination of them works with “spatial notation” and “graphic notation”, which give the performers considerable space on interpretation and also adding more "improvisation" and "serendipity". Taïra Yoshihisa's（1937-2005）《 Monodrame I》 is one of these kinds of works. The purpose of this research is to identify that: how to interpret different elements on the basic of spatial notation and the author also hopes to have further information about Taïra Yoshihisa and the combination of the Eastern and the Western music he used.