Saw herself —The Discourse of Chang Chen-Hui Creation
碩士 === 國立臺南大學 === 視覺藝術與設計學系視覺藝術教學碩士班 === 104 === The author discusses the creation of creative works for 2012-2016 between the scope of the study made by the text discussed. Content retroactive personal creative motivation, thinking, creative ideas to explore issues of relevance theory in the arts c...
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ndltd-TW-104NTNT16160112016-10-19T04:07:26Z http://ndltd.ncl.edu.tw/handle/45987141844277053328 Saw herself —The Discourse of Chang Chen-Hui Creation 看見自己 —張甄惠創作論述 Chang Chen-Hui 張甄惠 碩士 國立臺南大學 視覺藝術與設計學系視覺藝術教學碩士班 104 The author discusses the creation of creative works for 2012-2016 between the scope of the study made by the text discussed. Content retroactive personal creative motivation, thinking, creative ideas to explore issues of relevance theory in the arts combined, and finally the work of individual analysis and interpretation. Creative motivation and purpose, a combination of two issues of personal care deeply explore one of nature's mysteries in the life of the operation, one for work experience feelings; in-depth inner secrets of the universe and nothing in the life of the corresponding course experience and ideas. Wherein the use of art history and art theory, etc. to validate personal creative thinking context; First, from man and nature meet, and the heart of the universe to observe and explore as cut, followed by the form and theory of art history and art studies, which including painting space and time, as well as the creation of the current trajectory of thinking and acting and visual lines; combined with the author's creative think up to two intersecting host and guest will spark stated in art. Content structure of the thesis written by the main chapters contain introduction ¬¬: clarify the motive and purpose of research, research methods, and define the creative scope of the study and research framework for each chapter. Chapter One: From the creative theme "natural" starting to discuss, explore closely linked with nature, including beyond the reality and substance dualistic concept art history for discussion of abstract thinking, and discusses the role of human emotions empathy . Chapter II: discusses the main object to create artistic results karma generated by the process on the history of art about abstract expressionist painting thinking, and creative interpretation of the theme for the author in form and ideas. Chapter 3: writing practice techniques and mediums, techniques to be used for mediums analyzed and integrated in the previous chapter of creative ideas and forms, the creative process works and control content, and analysis series. Conclusion: The study of this thesis, proposed a comprehensive conclusion. Chu﹐Wen-Chieh 朱紋皆 2016 學位論文 ; thesis 92 zh-TW |
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碩士 === 國立臺南大學 === 視覺藝術與設計學系視覺藝術教學碩士班 === 104 === The author discusses the creation of creative works for 2012-2016 between the scope of the study made by the text discussed. Content retroactive personal creative motivation, thinking, creative ideas to explore issues of relevance theory in the arts combined, and finally the work of individual analysis and interpretation.
Creative motivation and purpose, a combination of two issues of personal care deeply explore one of nature's mysteries in the life of the operation, one for work experience feelings; in-depth inner secrets of the universe and nothing in the life of the corresponding course experience and ideas. Wherein the use of art history and art theory, etc. to validate personal creative thinking context; First, from man and nature meet, and the heart of the universe to observe and explore as cut, followed by the form and theory of art history and art studies, which including painting space and time, as well as the creation of the current trajectory of thinking and acting and visual lines; combined with the author's creative think up to two intersecting host and guest will spark stated in art.
Content structure of the thesis written by the main chapters contain introduction ¬¬: clarify the motive and purpose of research, research methods, and define the creative scope of the study and research framework for each chapter. Chapter One: From the creative theme "natural" starting to discuss, explore closely linked with nature, including beyond the reality and substance dualistic concept art history for discussion of abstract thinking, and discusses the role of human emotions empathy . Chapter II: discusses the main object to create artistic results karma generated by the process on the history of art about abstract expressionist painting thinking, and creative interpretation of the theme for the author in form and ideas. Chapter 3: writing practice techniques and mediums, techniques to be used for mediums analyzed and integrated in the previous chapter of creative ideas and forms, the creative process works and control content, and analysis series. Conclusion: The study of this thesis, proposed a comprehensive conclusion.
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author2 |
Chu﹐Wen-Chieh |
author_facet |
Chu﹐Wen-Chieh Chang Chen-Hui 張甄惠 |
author |
Chang Chen-Hui 張甄惠 |
spellingShingle |
Chang Chen-Hui 張甄惠 Saw herself —The Discourse of Chang Chen-Hui Creation |
author_sort |
Chang Chen-Hui |
title |
Saw herself —The Discourse of Chang Chen-Hui Creation |
title_short |
Saw herself —The Discourse of Chang Chen-Hui Creation |
title_full |
Saw herself —The Discourse of Chang Chen-Hui Creation |
title_fullStr |
Saw herself —The Discourse of Chang Chen-Hui Creation |
title_full_unstemmed |
Saw herself —The Discourse of Chang Chen-Hui Creation |
title_sort |
saw herself —the discourse of chang chen-hui creation |
publishDate |
2016 |
url |
http://ndltd.ncl.edu.tw/handle/45987141844277053328 |
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