An Artistic Exploration of Taiwan’s Transculturation-Study of Huang Tzu-Jui ’s Art

碩士 === 國立臺灣師範大學 === 美術學系 === 104 === The main argument of this thesis is the author’s instantaneous emotional reaction towards social problems. Observing to the society of Taiwan, the author intends to communicate with the viewers through his paintings and creation techniques.   Since Taiwan is geo...

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Main Authors: Huang, Tzu-Jui, 黃子瑞
Other Authors: Lee, Chun-Yi
Format: Others
Language:zh-TW
Published: 2016
Online Access:http://ndltd.ncl.edu.tw/handle/d89mwm
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spelling ndltd-TW-104NTNU52330252019-05-15T23:09:06Z http://ndltd.ncl.edu.tw/handle/d89mwm An Artistic Exploration of Taiwan’s Transculturation-Study of Huang Tzu-Jui ’s Art 文化匯流的臺灣藝術-黃子瑞繪畫創作論述 Huang, Tzu-Jui 黃子瑞 碩士 國立臺灣師範大學 美術學系 104 The main argument of this thesis is the author’s instantaneous emotional reaction towards social problems. Observing to the society of Taiwan, the author intends to communicate with the viewers through his paintings and creation techniques.   Since Taiwan is geographically an island country, it has been greatly influenced by foreign cultures. Though Taiwanese culture is originally an extension to the Chinese traditional culture, since Taiwan experienced decades of being a colony of Japan and KMT accepted the help from the US, it shows tremendous Western influences nowadays. As a result, Taiwan is under a Postcolonial condition. The international position of Taiwan is still unclearly defined, and even the Taiwanese are uncertain about thein political sovereignty. These confusions have been reflected in Taiwan’s mixed culture. Having grown up under this condition, the author intends to sum up the features of Taiwanese culture by doing research and creating works of art.   This essay is divided into five chapters. The first chapter is the introduction to the purpose of the author’s research and artistic creation.   In the second chapter, post-colonialism, both the history and the cultural history of Taiwan are discussed to build up the theoretical base of his works of art.   In the third chapter, the author discusses his concept of panting firstly the symbolic meanings of the frequently depicted objects in his paintings and the media and techniques of artistic expression.   In the fourth chapter, the meanings backgrounds, media of creating and structured patterns of the author’s individual paintings are analyzed and discussed.   Lastly, the fifth chapter is the conclusion about the author’s experience and contemplation of the artistic creation, as well his pursuit of further development. Lee, Chun-Yi 李君毅 2016 學位論文 ; thesis 78 zh-TW
collection NDLTD
language zh-TW
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description 碩士 === 國立臺灣師範大學 === 美術學系 === 104 === The main argument of this thesis is the author’s instantaneous emotional reaction towards social problems. Observing to the society of Taiwan, the author intends to communicate with the viewers through his paintings and creation techniques.   Since Taiwan is geographically an island country, it has been greatly influenced by foreign cultures. Though Taiwanese culture is originally an extension to the Chinese traditional culture, since Taiwan experienced decades of being a colony of Japan and KMT accepted the help from the US, it shows tremendous Western influences nowadays. As a result, Taiwan is under a Postcolonial condition. The international position of Taiwan is still unclearly defined, and even the Taiwanese are uncertain about thein political sovereignty. These confusions have been reflected in Taiwan’s mixed culture. Having grown up under this condition, the author intends to sum up the features of Taiwanese culture by doing research and creating works of art.   This essay is divided into five chapters. The first chapter is the introduction to the purpose of the author’s research and artistic creation.   In the second chapter, post-colonialism, both the history and the cultural history of Taiwan are discussed to build up the theoretical base of his works of art.   In the third chapter, the author discusses his concept of panting firstly the symbolic meanings of the frequently depicted objects in his paintings and the media and techniques of artistic expression.   In the fourth chapter, the meanings backgrounds, media of creating and structured patterns of the author’s individual paintings are analyzed and discussed.   Lastly, the fifth chapter is the conclusion about the author’s experience and contemplation of the artistic creation, as well his pursuit of further development.
author2 Lee, Chun-Yi
author_facet Lee, Chun-Yi
Huang, Tzu-Jui
黃子瑞
author Huang, Tzu-Jui
黃子瑞
spellingShingle Huang, Tzu-Jui
黃子瑞
An Artistic Exploration of Taiwan’s Transculturation-Study of Huang Tzu-Jui ’s Art
author_sort Huang, Tzu-Jui
title An Artistic Exploration of Taiwan’s Transculturation-Study of Huang Tzu-Jui ’s Art
title_short An Artistic Exploration of Taiwan’s Transculturation-Study of Huang Tzu-Jui ’s Art
title_full An Artistic Exploration of Taiwan’s Transculturation-Study of Huang Tzu-Jui ’s Art
title_fullStr An Artistic Exploration of Taiwan’s Transculturation-Study of Huang Tzu-Jui ’s Art
title_full_unstemmed An Artistic Exploration of Taiwan’s Transculturation-Study of Huang Tzu-Jui ’s Art
title_sort artistic exploration of taiwan’s transculturation-study of huang tzu-jui ’s art
publishDate 2016
url http://ndltd.ncl.edu.tw/handle/d89mwm
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