| Summary: | 博士 === 國立臺灣師範大學 === 美術學系 === 104 === Abstract
This thesis aims to study “Time strength” as a possibility of different types of observations. When the concept of time is applied on paintings, its observation angle implies one special dimension, including some characteristics and differences during the time’s exercising tension. One side, it means different painting materials will bring different effects; on the other side, it also means visual paintings change and influence the time’s effects constantly.
The author tried to break the time search into two parts; one is “the tracks produced from time media” and “the different senses of time after we receive”. They are reviewed in order to check the exercise of the time strength inside the author’s creation. Furthermore, the trials of reaching time forces were deemed as an exploration path, to develop the possibilities that time force does exist during making paintings.
To observe time in a more open-minded and broader way in art, and push time to another practically-existed possibility. Through the author’s different creations, for those scattered types of changes from different time operations, the vertical axis represents the continuousness of time and the horizontal axis represents the order change relationship, different events’ positions are embedded to construct the creation performance of this stage and dig out all possibilities that art produces times or worlds actively.
Key words: time strength, anti-order, time itself, event, difference.
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