Creations Research on“Rudolf Arnheim’s Visual Perception Theory from Gestalt Psychology”- The Painting Discourse of Chiyun Chang

碩士 === 國立臺灣師範大學 === 美術學系 === 104 === By gaining experiences, an individual rebuilds his personality and value, and then becomes a mature one. According to Gestalt Therapy, individual spirit consists of many gestalts (compositions.) Each gestalt is a phase while growing up. They collapse and recons...

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Bibliographic Details
Main Authors: Chang, Chi-Yun, 張綺芸
Other Authors: 蘇憲法
Format: Others
Language:zh-TW
Published: 2016
Online Access:http://ndltd.ncl.edu.tw/handle/d3thuf
Description
Summary:碩士 === 國立臺灣師範大學 === 美術學系 === 104 === By gaining experiences, an individual rebuilds his personality and value, and then becomes a mature one. According to Gestalt Therapy, individual spirit consists of many gestalts (compositions.) Each gestalt is a phase while growing up. They collapse and reconstruct through external forces. The author’s work “Unfinished Business” is a part of Gestalt Therapy. It presents the phenomenon itself, and the unfinished thing the author perceives in her life. It shows an individual’s desire toward life gestalt. Furthermore, by means of visual tension and virtual space, it displays the psychological motion state to balance the lacking in coordination inside. The psychological phenomenon is the core of the author’s content. The author uses each feature to interact with the background, and explains every imbalance and change in self-adjustment. She takes personal life experiences as her inspirations, keeps the purest symbol, and works hard in elements and their background. This way shows the purity of what she wants to convey. The research is aim to discuss the psychological states of painting’s performance. The paper has five chapters. In chapter one, it introduces the author’s motivation and the purpose. Next, it discusses the author’s creation concept and theoretical basis. At the beginning of this chapter, it talks about psychological phenomenon and expressionism. Then, it studies empathy of the botanical images. Last, it discusses the form from concrete to semi-abstract. In chapter three, it introduces the way and material of the author’s serial work. Most of them are based on Rudolf Arnheim’s (1904~2007)Visual Perception. In chapter four, it talks about the author’s creation concepts and thoughts in detail. In the last chapter, it concludes the whole paper and mention the expectation about the author’s future work.