The Land of Ships - The Creation and Research of the Watercolor Painting
碩士 === 國立臺灣師範大學 === 美術學系 === 104 === Abstract The image recording appears earlier than the word. Because the people’s visual instinct, there is no gap between the viewers and the artist while seeing the inspiration from the work, even though people have different languages, words, races. It is impo...
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ndltd-TW-104NTNU52330582019-05-15T23:09:07Z http://ndltd.ncl.edu.tw/handle/m2kay5 The Land of Ships - The Creation and Research of the Watercolor Painting 船的國度-水彩繪畫的創作研究 Chang, Chia-Lung 張家龍 碩士 國立臺灣師範大學 美術學系 104 Abstract The image recording appears earlier than the word. Because the people’s visual instinct, there is no gap between the viewers and the artist while seeing the inspiration from the work, even though people have different languages, words, races. It is important for the artist to learn the sensibility of images, the consideration of colour, the way to use the layers of painting, and especially the his brush work from feelings, so the artist can find his authentic language to the painting. This study demonstrates the expression of colour, air atmosphere in the ship painting, and then states the way that the artist use the scene to express his emotion, as well as the way that the artist obscurely to give the work his own memory. There are six chapters in this study. The first one is “introduction”, which explains the purpose of the choice to the theme and medium the artist uses for his works. The second one is “the foundation of theory and the exploration of reference”, which demonstrates how the western traditional and contemporary artists to use colour to express the meaning in their works. The third one is “ the idea of the work”, which analyse the connection between the author’s painting and his inner world. The author stresses the emotion and thinking behind his works, and explores further the consequence that the environment and society have significant impact on the artist’s work. The forth is “the meaning, form, skill and medium in the work”, which introduces the way how the artist use meaning, form, skill and medium in his work. The fifth is “the demonstration for the work, which explores the works in a whole view, and points out the background of every work, as well as the construction of image, colour and skill. The sixth is “conclusion, which summarise the review and the consideration to the future. Huang, Chin-Lung 黃進龍 2016 學位論文 ; thesis 123 zh-TW |
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碩士 === 國立臺灣師範大學 === 美術學系 === 104 === Abstract
The image recording appears earlier than the word. Because the people’s visual instinct, there is no gap between the viewers and the artist while seeing the inspiration from the work, even though people have different languages, words, races. It is important for the artist to learn the sensibility of images, the consideration of colour, the way to use the layers of painting, and especially the his brush work from feelings, so the artist can find his authentic language to the painting.
This study demonstrates the expression of colour, air atmosphere in the ship painting, and then states the way that the artist use the scene to express his emotion, as well as the way that the artist obscurely to give the work his own memory. There are six chapters in this study. The first one is “introduction”, which explains the purpose of the choice to the theme and medium the artist uses for his works. The second one is “the foundation of theory and the exploration of reference”, which demonstrates how the western traditional and contemporary artists to use colour to express the meaning in their works. The third one is “ the idea of the work”, which analyse the connection between the author’s painting and his inner world. The author stresses the emotion and thinking behind his works, and explores further the consequence that the environment and society have significant impact on the artist’s work. The forth is “the meaning, form, skill and medium in the work”, which introduces the way how the artist use meaning, form, skill and medium in his work. The fifth is “the demonstration for the work, which explores the works in a whole view, and points out the background of every work, as well as the construction of image, colour and skill. The sixth is “conclusion, which summarise the review and the consideration to the future.
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author2 |
Huang, Chin-Lung |
author_facet |
Huang, Chin-Lung Chang, Chia-Lung 張家龍 |
author |
Chang, Chia-Lung 張家龍 |
spellingShingle |
Chang, Chia-Lung 張家龍 The Land of Ships - The Creation and Research of the Watercolor Painting |
author_sort |
Chang, Chia-Lung |
title |
The Land of Ships - The Creation and Research of the Watercolor Painting |
title_short |
The Land of Ships - The Creation and Research of the Watercolor Painting |
title_full |
The Land of Ships - The Creation and Research of the Watercolor Painting |
title_fullStr |
The Land of Ships - The Creation and Research of the Watercolor Painting |
title_full_unstemmed |
The Land of Ships - The Creation and Research of the Watercolor Painting |
title_sort |
land of ships - the creation and research of the watercolor painting |
publishDate |
2016 |
url |
http://ndltd.ncl.edu.tw/handle/m2kay5 |
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