Politics of Malaysia in Kee Thuan Chye''s Plays: Ethnicity, Class and National Identity

碩士 === 國立臺灣大學 === 戲劇學研究所 === 104 === After World War II, Malaysia achieved independence from British Empire. However, the local government reproduced the colonial power structure, resulting in ethnic strife, class conflict and diverse national identity. The “13 May Race Riot” is a watershed in the p...

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Main Authors: Sheng-Hsiang Hung, 洪聖翔
Other Authors: Hsiao-Mei Hsieh
Format: Others
Language:zh-TW
Published: 2015
Online Access:http://ndltd.ncl.edu.tw/handle/5n4fj4
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spelling ndltd-TW-104NTU055100022019-05-15T22:34:52Z http://ndltd.ncl.edu.tw/handle/5n4fj4 Politics of Malaysia in Kee Thuan Chye''s Plays: Ethnicity, Class and National Identity 紀傳財劇作中的馬來西亞:族群、階級與民族認同 Sheng-Hsiang Hung 洪聖翔 碩士 國立臺灣大學 戲劇學研究所 104 After World War II, Malaysia achieved independence from British Empire. However, the local government reproduced the colonial power structure, resulting in ethnic strife, class conflict and diverse national identity. The “13 May Race Riot” is a watershed in the political history of Malaysia, which impelled the government to open a series of national policies. These policies emphasize Malay privileges, failure to respect the cultural difference in Malaysia. On the other side, although Malaysia had established a democratic government after independence, the ruling party remains unchallenged since the first election. In the 1980s and 1990s, the powerful ruling party gradually formed an authoritarian regime, suppressed the opposition party and abridged freedom of speech and freedom of the press, in an attempt to build a Malay-dominated nationalism for consolidating its legitimacy. Kee Thuan Chye as a journalist and playwright, he had been criticizing the Malaysia’s ruling party whether in his news commentary or literary creation. Kee Thuan Chye belongs to the Chinese Malaysian on ethnic identity, but his writings in every fields are in English. English for him, is not a tool to wrestle with the colonial power, as the other postcolonial writers, but a relatively neutral language, which he can reach out to various ethnic groups in Malaysia, and call on a truly multicultural country. Kee Thuan Chye’s plays are not only his speaking channels under the self-censorship in the mass media and newspapers, but also the practice of his political ideal. Within his plays, it will be able to observe the predicament of political and social development in Malaysia since independence. In addition to the dominating of western countries in the economic and cultural level, Malaysia has to confront the internal ethnicity, class and national identity issues in the post-colonial era. Hsiao-Mei Hsieh 謝筱玫 2015 學位論文 ; thesis 120 zh-TW
collection NDLTD
language zh-TW
format Others
sources NDLTD
description 碩士 === 國立臺灣大學 === 戲劇學研究所 === 104 === After World War II, Malaysia achieved independence from British Empire. However, the local government reproduced the colonial power structure, resulting in ethnic strife, class conflict and diverse national identity. The “13 May Race Riot” is a watershed in the political history of Malaysia, which impelled the government to open a series of national policies. These policies emphasize Malay privileges, failure to respect the cultural difference in Malaysia. On the other side, although Malaysia had established a democratic government after independence, the ruling party remains unchallenged since the first election. In the 1980s and 1990s, the powerful ruling party gradually formed an authoritarian regime, suppressed the opposition party and abridged freedom of speech and freedom of the press, in an attempt to build a Malay-dominated nationalism for consolidating its legitimacy. Kee Thuan Chye as a journalist and playwright, he had been criticizing the Malaysia’s ruling party whether in his news commentary or literary creation. Kee Thuan Chye belongs to the Chinese Malaysian on ethnic identity, but his writings in every fields are in English. English for him, is not a tool to wrestle with the colonial power, as the other postcolonial writers, but a relatively neutral language, which he can reach out to various ethnic groups in Malaysia, and call on a truly multicultural country. Kee Thuan Chye’s plays are not only his speaking channels under the self-censorship in the mass media and newspapers, but also the practice of his political ideal. Within his plays, it will be able to observe the predicament of political and social development in Malaysia since independence. In addition to the dominating of western countries in the economic and cultural level, Malaysia has to confront the internal ethnicity, class and national identity issues in the post-colonial era.
author2 Hsiao-Mei Hsieh
author_facet Hsiao-Mei Hsieh
Sheng-Hsiang Hung
洪聖翔
author Sheng-Hsiang Hung
洪聖翔
spellingShingle Sheng-Hsiang Hung
洪聖翔
Politics of Malaysia in Kee Thuan Chye''s Plays: Ethnicity, Class and National Identity
author_sort Sheng-Hsiang Hung
title Politics of Malaysia in Kee Thuan Chye''s Plays: Ethnicity, Class and National Identity
title_short Politics of Malaysia in Kee Thuan Chye''s Plays: Ethnicity, Class and National Identity
title_full Politics of Malaysia in Kee Thuan Chye''s Plays: Ethnicity, Class and National Identity
title_fullStr Politics of Malaysia in Kee Thuan Chye''s Plays: Ethnicity, Class and National Identity
title_full_unstemmed Politics of Malaysia in Kee Thuan Chye''s Plays: Ethnicity, Class and National Identity
title_sort politics of malaysia in kee thuan chye''s plays: ethnicity, class and national identity
publishDate 2015
url http://ndltd.ncl.edu.tw/handle/5n4fj4
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