| Summary: | 碩士 === 國立臺灣藝術大學 === 美術學系 === 104 === The transcendental spirit of Taoists influences the painter deeply. Leaving the images
behind, the works has shown the spirit of pursuing the romantic charm. Merging the egos with the big nature, I turn the merging part to the background scenery and transfer the flowing lines into the bushes and branches. As a result, the vision of the heart appears in the works gradually.
The series works of《The heart‧Mountains and Waters》are not only the major points of this essay, but also the extension of the series works of《Resembling Waters》.
Although the creating materials come from the West, the essence is based on the oriental spirit. Transferring the tradition methods into another, I try to open up a new way by merging my own living experiences. I assimilate the elements of crafts like : batik, print, tiles, watercolor and ink into his creation which tries to subvert the creation form of the thick, heavy and dry skin texture, and create the works with a moisture-filling way. The automatic skill dilutes the pigment and creates by splashing which maintains the texture of the canvas and presents the original texture. The hand movement makes the invisible and untouchable heart reveals naturally and shows the present mood which turns into a “like mountain like water” picture. The submitting mind realizes the “inaction leads to good deeds” spirit of Taoists.
This creation essay has 5 chapters in total, the first chapter is an introduction which includes the motivation of the research, the purposes, the contents and the methods. The second chapter tries to open up the heart vision by discussing the abstracts which mainly analyses the abstract spirit of the oriental artists, <Zao Wou-ki, 1921~2014> and <Chu The-Chun, 1920~2014>, and the abstract skills and features of
the western artists, <Cy Twombly 1928~2011> and <Jackson Pollock 1912~1956>.
The third chapter refers to the creation processes and the characteristics of the skills which describes the skill-transferring processes in detail. The fourth chapter presents the analysis of the work of《The heart‧Mountains and Waters》creation ideas.
The fifth chapter is the conclusion.
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