Black White Point and Line, The Research in the Art of Calligraphy Drawing Creation

• Main Authors: CHIANG, PO-HSUAN, 江柏萱
• Other Authors: LEE, CHI-MAO
• Format: Others
• Language: zh-TW
• Published: 2016
• Online Access: http://ndltd.ncl.edu.tw/handle/d2q4x6

博士 === 國立臺灣藝術大學 === 書畫藝術學系 === 104 === Started from inheriting the art of classical Chinese scholars, to the cultural clash, introspection, and blending with the ideas of the Western modern art, throughout the history post-war Taiwan’s modern calligraphy ink paintings has bloomed and prospered into numerous stages of characteristics. By reviewing the history of Chinese calligraphy ink paintings to the ideas of Western modern art, this dissertation looks into the differences in characteristics of Taiwanese, Chinese, Japanese, and European/American art to observe and explore the future development in the art of modern calligraphy ink paintings. The contradiction and unity of “black” and “white” has always been the traditional centerpiece in Chinese philosophy. This creative work study uses “Black, White, Point, Line” as the topic, to explore the principles and relationships in the making of space, ying and yang, empty and solid, point and line, in search for the language of creation in art. Throughout the process of making and exploring, self-awareness was established from internal debate and communication in artistic judgment by being both as a creator and an audience, as being proactive and passive at the same time. Moreover, the process required self-exploration, which ultimately contributed to bring soul into the art piece. On the other hand, seeing the “Modern calligraphy” and “Modern ink paintings” often revolutionized by diversified medium, causing the traditional techniques to decay into history, by using the element in traditional ink paintings, this work study wishes to bring attention to the nature of traditional calligraphy ink paintings, and to ponder on modern art’s direction in development; to look back and find one’s own language, to express personal emotions. Only one to look inward into finding self-awareness before one looks outward to explore the meaning of contemporary calligraphy and ink paintings.