《076903804》— Construction of a Writing Style Family Experimental Documentary through “ The Image-Crystal Formation Model”

• Main Authors: CHEN,HUNG-PIN, 陳虹頻
• Other Authors: YOU,BEN-KUAN
• Format: Others
• Language: zh-TW
• Published: 2016
• Online Access: http://ndltd.ncl.edu.tw/handle/44091816710956738508

碩士 === 實踐大學 === 媒體傳達設計學系碩士在職專班 === 104 === On the life journey, each of us sometimes suffers from the major death of his/her beloved ones. In this moment, everyone usually experiences intense convergence of the memories such as people’s figure, smell, sounds of each other. It is during this time period that the images of death will continuously generate in large amounts. Combining present, past and future real images as well as fantasy, these images are elusive and are subject to emotion fluctuation in the brain. In this paper, the author first reflects on the image generated from the death of beloved ones. Through the review of French scholar Henri Bergson and Gilles Deleuze’s philosophy of image theory, the author then reconstructs “The Time-Image Model” and “The Image Crystal Formation Model” that combined timeline, perceptual system and memory system to assist in the movie creation process. By regarding specific “death event” as the critical time point for the formation of one’s “image-crystal”, this paper proposes the generation of the images during this period and further discusses the relationship between the image-crystal formation and subsequent creative works. The movie 《076903804》is a “Writing Style Family Experimental Documentary”. During the process of creation, the home movie material has been transformed into providing image viewers with sensory assimilation and the possibility of interpretation by image writing and books construction. The film increases its readability through experimental nonlinear image and audio clips editing. From reconstructing the philosophy of image theory to generating the image model, this paper aims to help creators clarify the relative position of external and internal images to the time, to the brain screen, to the real world and perception system. After conducting the systematic thinking via this model in the movie creation process, the study further probes into the difficulties and the viable part in bridging the gap between theory and creation.