The Analysis and interpretation of “Ballade No. 4, Op. 52” by Frédéric Chopin (1810-1849)

碩士 === 東吳大學 === 音樂學系 === 104 === During romantic period, Chopin (Frédéric Chopin, 1810-1849) was the first composer to use Ballade with solo instrument. Chopin was known for composing changeable and dramatic contrast in Ballade. This research is based on the most difficult and dramatic part of “Ball...

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Main Authors: HSIEH,CHEN-MIN, 謝辰敏
Other Authors: CHANG,YU-SHU TSAI, CHAI-HSIO
Format: Others
Language:zh-TW
Published: 2016
Online Access:http://ndltd.ncl.edu.tw/handle/2kq946
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spelling ndltd-TW-104SCU002480152019-05-15T22:42:52Z http://ndltd.ncl.edu.tw/handle/2kq946 The Analysis and interpretation of “Ballade No. 4, Op. 52” by Frédéric Chopin (1810-1849) 蕭邦《第四號敘事曲》作品52樂曲分析與演奏詮釋 HSIEH,CHEN-MIN 謝辰敏 碩士 東吳大學 音樂學系 104 During romantic period, Chopin (Frédéric Chopin, 1810-1849) was the first composer to use Ballade with solo instrument. Chopin was known for composing changeable and dramatic contrast in Ballade. This research is based on the most difficult and dramatic part of “Ballade No. 4, Op. 52”. It focuses on analysis and interpretation. The first part explores the pattern and form of Ballad by its origin and transformation. The second part simply discusses Chopin’s background and musical style. In order to understand how Chopin formed the style of Ballade. The final is the main point of this research. This chapter divides “Ballad No. 4, Op. 52” into different phrases, analyzes the motivation, element, and harmonic progress. behind the phrases. Based on this analysis, reader can improve their musical interpretations and technical problems. CHANG,YU-SHU TSAI, CHAI-HSIO 張玉樹、蔡采秀 2016 學位論文 ; thesis 86 zh-TW
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language zh-TW
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description 碩士 === 東吳大學 === 音樂學系 === 104 === During romantic period, Chopin (Frédéric Chopin, 1810-1849) was the first composer to use Ballade with solo instrument. Chopin was known for composing changeable and dramatic contrast in Ballade. This research is based on the most difficult and dramatic part of “Ballade No. 4, Op. 52”. It focuses on analysis and interpretation. The first part explores the pattern and form of Ballad by its origin and transformation. The second part simply discusses Chopin’s background and musical style. In order to understand how Chopin formed the style of Ballade. The final is the main point of this research. This chapter divides “Ballad No. 4, Op. 52” into different phrases, analyzes the motivation, element, and harmonic progress. behind the phrases. Based on this analysis, reader can improve their musical interpretations and technical problems.
author2 CHANG,YU-SHU TSAI, CHAI-HSIO
author_facet CHANG,YU-SHU TSAI, CHAI-HSIO
HSIEH,CHEN-MIN
謝辰敏
author HSIEH,CHEN-MIN
謝辰敏
spellingShingle HSIEH,CHEN-MIN
謝辰敏
The Analysis and interpretation of “Ballade No. 4, Op. 52” by Frédéric Chopin (1810-1849)
author_sort HSIEH,CHEN-MIN
title The Analysis and interpretation of “Ballade No. 4, Op. 52” by Frédéric Chopin (1810-1849)
title_short The Analysis and interpretation of “Ballade No. 4, Op. 52” by Frédéric Chopin (1810-1849)
title_full The Analysis and interpretation of “Ballade No. 4, Op. 52” by Frédéric Chopin (1810-1849)
title_fullStr The Analysis and interpretation of “Ballade No. 4, Op. 52” by Frédéric Chopin (1810-1849)
title_full_unstemmed The Analysis and interpretation of “Ballade No. 4, Op. 52” by Frédéric Chopin (1810-1849)
title_sort analysis and interpretation of “ballade no. 4, op. 52” by frédéric chopin (1810-1849)
publishDate 2016
url http://ndltd.ncl.edu.tw/handle/2kq946
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