| Summary: | 碩士 === 淡江大學 === 西班牙語文學系碩士班 === 104 === Spanish magazine “Black and White” (Blanco y Negro) is an independent magazinereleased in Spain every weekend, and it contains art, literature, culture and big events ofSpain and foreign countries, it is an intellectual magazine, whichreflects the society and the times.
The main purpose of this thesis is to analyze the transition of the themes and styles on the cover images of “Black and White” from 1891 to 1910, by taking the Spanish-American War in 1898 as a demarcation point to examine the differences, changes and its cultural connotation within a decade’s time before and after the twentieth century.
This thesis contains five chapters:
〔Chapter I〕This chapter is the introduction, which shows the motivation, the objective, the methodology, the frame and the limit of the investigation.
〔Chapter II〕The second chapter talks about the artistic trends in Europe and Spain from the late nineteenth century to the early twentieth century. Also talks about the reflections on the “crisis of ’98” by the Spanish writers in the ’98, and discusses the reflections that presents in the cover image of "Black and White" in 1898.
〔Chapter III〕This chapter talks about the changes and differences of the cover images of “Black and White”, between the late nineteenth century (1891-1899) and the early twentieth century (1900-1910), by cataloguing the cover images with the theme.
〔Chapter IV〕The fourth chapter talks about the cultural message that been implied in the cover images of “Black and White” through the Ternary Relation of Charles Sanders Pierce (1839-1914).
〔Chapter V〕Last chapter is the conclusion that summarizes the result of the thesis.
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