The Whisper by Delirium -Discourse about Desire and Violence in The painting

碩士 === 國立臺北藝術大學 === 美術學系碩士班創作組 === 104 === An Artist has the power to condense a life force given by an era into a painting. During the process of making an artwork, an artist absorbs as well as consumes the illusion of the era to transform it into a specific image. Painting itself is an imaginary s...

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Bibliographic Details
Main Authors: Jing-Yun Ou, 歐靜雲
Other Authors: Teh-Yi Chu
Format: Others
Language:zh-TW
Published: 2016
Online Access:http://ndltd.ncl.edu.tw/handle/b8tf5k
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spelling ndltd-TW-104TNUA52350192019-05-15T23:09:28Z http://ndltd.ncl.edu.tw/handle/b8tf5k The Whisper by Delirium -Discourse about Desire and Violence in The painting 譫妄絮語-星聚繪畫中的欲望與暴力 Jing-Yun Ou 歐靜雲 碩士 國立臺北藝術大學 美術學系碩士班創作組 104 An Artist has the power to condense a life force given by an era into a painting. During the process of making an artwork, an artist absorbs as well as consumes the illusion of the era to transform it into a specific image. Painting itself is an imaginary shelter among my creation. The weak meaning referents the form as a survival signal of its era. Painting is to retain the fragments of life questioned by or excluded from the knowledge and politics. With the filled self-identity, I made painting incorporate the shapes of life, which turns into frantic whisper and limited poetics. Plane painting has a madness morbid imagery which could not be shared among those visible, existence and idea. It links the faces of unspeakable Homo sapiens’humanity. It gives more crazy rigorous logic to make life keep spreading out. Painting is such anxious about image, form and color. It is against for the paralysis of visible and usual image in society. By perception and experience, painting shattered the repeats of anemic reality,constructing the secretion of violence in the limited boundaries. Teh-Yi Chu 曲德益 2016 學位論文 ; thesis 38 zh-TW
collection NDLTD
language zh-TW
format Others
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description 碩士 === 國立臺北藝術大學 === 美術學系碩士班創作組 === 104 === An Artist has the power to condense a life force given by an era into a painting. During the process of making an artwork, an artist absorbs as well as consumes the illusion of the era to transform it into a specific image. Painting itself is an imaginary shelter among my creation. The weak meaning referents the form as a survival signal of its era. Painting is to retain the fragments of life questioned by or excluded from the knowledge and politics. With the filled self-identity, I made painting incorporate the shapes of life, which turns into frantic whisper and limited poetics. Plane painting has a madness morbid imagery which could not be shared among those visible, existence and idea. It links the faces of unspeakable Homo sapiens’humanity. It gives more crazy rigorous logic to make life keep spreading out. Painting is such anxious about image, form and color. It is against for the paralysis of visible and usual image in society. By perception and experience, painting shattered the repeats of anemic reality,constructing the secretion of violence in the limited boundaries.
author2 Teh-Yi Chu
author_facet Teh-Yi Chu
Jing-Yun Ou
歐靜雲
author Jing-Yun Ou
歐靜雲
spellingShingle Jing-Yun Ou
歐靜雲
The Whisper by Delirium -Discourse about Desire and Violence in The painting
author_sort Jing-Yun Ou
title The Whisper by Delirium -Discourse about Desire and Violence in The painting
title_short The Whisper by Delirium -Discourse about Desire and Violence in The painting
title_full The Whisper by Delirium -Discourse about Desire and Violence in The painting
title_fullStr The Whisper by Delirium -Discourse about Desire and Violence in The painting
title_full_unstemmed The Whisper by Delirium -Discourse about Desire and Violence in The painting
title_sort whisper by delirium -discourse about desire and violence in the painting
publishDate 2016
url http://ndltd.ncl.edu.tw/handle/b8tf5k
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