| Summary: | 博士 === 國立臺北藝術大學 === 音樂學系博士班 === 104 === The thesis contains history, theory, instrument introduction and composition analysis. The content unveils the instrument characteristics and the use of sounds on Chinese Cymbals and Beijing Opera Large Gongs, the use of Chinese Lion Gong Drum materials, the use of Beijing Opera Gong Drum materials and the use of Chinese Folk Gong Drum materials. The last two chapters compose the legacy and development of traditional percussion art, creative expression of Chinese composers, contribution of contemporary art organizations and the future prospect of this thesis by the author.
The thesis integrated the Chinese traditional percussion history knowledge and percussion composition analysis. Wishing to enhance the value of the thesis through this complementary relationship. From the overall arrangement of the thesis, the Chinese traditional percussion history part is mainly based on ancient tradition, also on the overall proportion with regular space which introduces a part of the traditional percussion instruments and the contemporary development of Chinese Lion Gong Drum, Beijing Opera Gong Drum and other Chinese Folk Gong Drum. The Chinese percussion composition analysis interpretation part even highlights the tendency of “Modern” which is focused on the contemporary compositions of Chinese Composers. Thus, this also makes a sense of fulfillment from the point of whole thesis of overall structure and content.
So far, the music educational field, composition field and performance field have not subsided their passion on discussing “The Use of the Materials of Chinese Traditional Percussion”. There’re still certain points of discussion which is not mentioned or deeply discussed in this thesis, so am looking to the experts and scholars to give valuable advice and expect more and more relevant research to be published to fulfill the research information to “The Use of the Materials of Chinese Traditional Percussion in the Contemporary Percussion Compositions of Chinese Composers”.
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