A Passage to Music: The Schizophrenic Refrain in Deleuze and Guattari

• Main Authors: Shu-Yu Lin, 林書羽
• Other Authors: Kailin Yang
• Format: Others
• Language: zh-TW
• Published: 2015
• Online Access: http://ndltd.ncl.edu.tw/handle/y2d3p5

碩士 === 國立臺北藝術大學 === 藝術跨域研究所 === 104 === In A Thousand Plateaus, Deleuze and Guattari had submitted music to their exclusive concept-becoming, which involves in creativity and the non-evolutionarysequence between heterogeneities composition.In their opinion, music is precisely the adventure of refrain, in view of the fact that is constantly reassembled and redefined by the periodic repetition. Thus, territorialization and deterritorialization, these two opposite functions are effecting on music simultaneously, and making music in a contrary situation that shifting between two extreme movements：Forming orders and escaping from it. Essentially, creation is non-representative, that is to say, it embodies difference. Accordingly, the thing will be complicated when this creative movement of musicbe established on the functions of refrain. There are some problems remaining to be solved, for instance, how do the periodic repetition produce difference? How can the antagonists co-exist in music? More importantly, how does refrain become the transformer to music? Is it the linchpin characteristic of music? Eventually, the key to this issue is the trans-coding passage-refrain. Hence, for the purpose of exploring the creative movement of music based on the concept of becoming with a tendency, the functions of refrain and the interrelations between components through the factors, constraints and variations given by the discourse of Deleuze and Guattari will be further discussed in this thesis.