The Stars in the Small Room ── A Study on Chen Hsiu-Hsi's Tanka

碩士 === 國立成功大學 === 台灣文學系 === 105 === In this paper, the core of Chen Hsiu-Hsi’s tanka,First Discuss from The historical background of tanka,1967 Chen Hsiu-Hsi join Tokyo Karatachi tanka group of Taipei Branch,next year again join Taipei tanka club,and began in Taipei tanka published works.1970, Chen...

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Bibliographic Details
Main Authors: Hui-TingChang, 張惠婷
Other Authors: Yui-Chi Wu
Format: Others
Language:zh-TW
Published: 2017
Online Access:http://ndltd.ncl.edu.tw/handle/5sq468
Description
Summary:碩士 === 國立成功大學 === 台灣文學系 === 105 === In this paper, the core of Chen Hsiu-Hsi’s tanka,First Discuss from The historical background of tanka,1967 Chen Hsiu-Hsi join Tokyo Karatachi tanka group of Taipei Branch,next year again join Taipei tanka club,and began in Taipei tanka published works.1970, Chen Hsiu-Hsi’s tanka collection Toshitsu(Small Room) published by Tokyo Sanae bookstore,in the creative process,tanka chant although only a small part,but Toshitsu is the only Japanese language of the life to complete the literary work, Chen Hsiu-Hsi stressed that the four seasons of tanka,and poet inner gaze and female perspective to show,more a replying gift in is paid to sing between friends,or mourn dead friend's reveal the truth,sometimes nostalgia and care hometown.er tanka show the era of appearance,across the language reflects generation of writers in distress on the use of two languages,and tanka between the modern poetry of transitions and inherit,she advocated personalized tanka,do not imitate their predecessors,writers need with a personal touch.Although she's works saw by colonialism the scars and contra dictions,as well as the creation of lack of talent tanka creation in today's society faces.ut as a generation of tanka creator,always to The Manyoshu proud memories,chant by tanka express thoughts,the faithfully also reveal the essence of life.