Inner Spectrums By Replication of Memory A Study of Yan Yi Liu’s Paintings

• Main Authors: Liu,Yan-Yi, 劉彥宜
• Other Authors: Chen,Yi-Fan
• Format: Others
• Language: zh-TW
• Published: 2017
• Online Access: http://ndltd.ncl.edu.tw/handle/9b7r45

碩士 === 國立彰化師範大學 === 美術學系 === 105 === 　　This paper explores and organizes my creation processes from 2013 to 2017. The study develops based on personal life experience which blended with the feelings and observations from the changes in the surrounding, by repeating a reflection and rumination on the loop of my past emotional memory, and drawing traces respectively for those different stages of self awareness. The study seeks to thoroughly clarify and analyze the evolution of my creative context by writing to excavate deeply the relationship between my own emotional experience and art. 　　The first chapter reviews the creative works created from the final stage of　college to early beginning of graduate school. The review starts with being in　 mourning, where uncertainty toward life brought from; and then explores for intrinsic motivation from the creations in historical order, trying to locate and clarify the origins of the series of creations. The second chapter addresses how a creative plan, "Twinkling is Seeing" forms interaction between people based on "Connected Aesthetics", and releases intrinsic elasticity by mutual witness based on self-other relationship. According to the review, this chapter also proposes more possibilities for creation in the future due to the changing point of thinking from plane to space. The third chapter describes my capture of the subconscious footprints and goes step by looking into the inside of my mind via the "On the road" series and the "Endless" series respectively, which are image creations based on a condensation of subtle perception and reincarnation of time and memory, with the impact by Japan's "Wabi-sabi Aesthetics". The fourth chapter explains my series of work "The minimal" during the graduate school by comparing works of other artists which are similar to mine in concept and expression, hence focusing on both time elapsed and attentions deep inside of the creations and digging more from self-ruminant life history. This chapter then proposes my attempt to put my daily sensual experiences into a work in whole, leading the creation closer to the core of my life. The fifth chapter describes the developments of the previous chapters of the creation contexts alongside the multiple figures of self-role and their pursue journeys, and proposes to feel and ponder this world in a deeper state of consciousness, and to continuous create submerged works from a wider range of view.