Time and Distance- Lin-En Shen’s Painting Discourse
碩士 === 國立嘉義大學 === 視覺藝術學系研究所 === 105 === Time is the topic that people from all different kind of areas had researched, and time is always with us. People react to time consciously, and will memorize specific things. The creation of Time and Distance is based on author’s thought about where does time...
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ndltd-TW-105NCYU56160042019-05-15T23:53:45Z http://ndltd.ncl.edu.tw/handle/zaadcu Time and Distance- Lin-En Shen’s Painting Discourse 間時漸距-沈臨恩創作論述 沈臨恩 碩士 國立嘉義大學 視覺藝術學系研究所 105 Time is the topic that people from all different kind of areas had researched, and time is always with us. People react to time consciously, and will memorize specific things. The creation of Time and Distance is based on author’s thought about where does time start, and where does it end. Past, present, and future are not just being used as study material, but also being used in daily bases. By using those tense, people realize time is an important part of their lives. The artist was inspired by changes that is made by time. This paper will elaborate the motivation, theory, expression, and analysis for Time and Distance. The first chapter is talking about the motivation and the goal. The motivation of Time and Distance is based the experience of the artist, and the analysis of time. Then it is going to talk about the goal, and clearly the area and limitation of this research. Next, it explains the difference between ideas about time with time theory. In general, time is considered linear or cycled. This chapter draws the differences between those two ideas, questions what changes time has done, and what meanings time has. Then discuss time with Henri Bergson’s philosophy. The third chapter focus on the content of this research. To clearly the connection between the expression and time, it discusses the art technics in Time and Distance by studying the relationship in between art, expression, and technics. The next chapter bring up the changes of author’s mindsets, which is based on time changes, to analysis the art. By creating, it questions time and mind; by implementing the ideology of this creation, it turns the inside thought to pieces of art. The final chapter concludes the motivation, the goal, elaboration, and the process of creation. It draws the meaning of Time and Distance and the possibility of the author down the road. posion chang 張栢祥 學位論文 ; thesis 95 zh-TW |
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碩士 === 國立嘉義大學 === 視覺藝術學系研究所 === 105 === Time is the topic that people from all different kind of areas had researched, and time is always with us. People react to time consciously, and will memorize specific things. The creation of Time and Distance is based on author’s thought about where does time start, and where does it end. Past, present, and future are not just being used as study material, but also being used in daily bases. By using those tense, people realize time is an important part of their lives. The artist was inspired by changes that is made by time. This paper will elaborate the motivation, theory, expression, and analysis for Time and Distance.
The first chapter is talking about the motivation and the goal. The motivation of Time and Distance is based the experience of the artist, and the analysis of time. Then it is going to talk about the goal, and clearly the area and limitation of this research.
Next, it explains the difference between ideas about time with time theory. In general, time is considered linear or cycled. This chapter draws the differences between those two ideas, questions what changes time has done, and what meanings time has. Then discuss time with Henri Bergson’s philosophy.
The third chapter focus on the content of this research. To clearly the connection between the expression and time, it discusses the art technics in Time and Distance by studying the relationship in between art, expression, and technics.
The next chapter bring up the changes of author’s mindsets, which is based on time changes, to analysis the art. By creating, it questions time and mind; by implementing the ideology of this creation, it turns the inside thought to pieces of art.
The final chapter concludes the motivation, the goal, elaboration, and the process of creation. It draws the meaning of Time and Distance and the possibility of the author down the road.
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posion chang |
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posion chang 沈臨恩 |
author |
沈臨恩 |
spellingShingle |
沈臨恩 Time and Distance- Lin-En Shen’s Painting Discourse |
author_sort |
沈臨恩 |
title |
Time and Distance- Lin-En Shen’s Painting Discourse |
title_short |
Time and Distance- Lin-En Shen’s Painting Discourse |
title_full |
Time and Distance- Lin-En Shen’s Painting Discourse |
title_fullStr |
Time and Distance- Lin-En Shen’s Painting Discourse |
title_full_unstemmed |
Time and Distance- Lin-En Shen’s Painting Discourse |
title_sort |
time and distance- lin-en shen’s painting discourse |
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http://ndltd.ncl.edu.tw/handle/zaadcu |
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AT chénlínēn timeanddistancelinenshenspaintingdiscourse AT chénlínēn jiānshíjiànjùchénlínēnchuàngzuòlùnshù |
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