Microcosm and Recombination ─ The Creation Discourse of Ya-Chiao Chang

• Main Authors: CHANG, YA-CHIAO, 張雅喬
• Other Authors: HUNG, MING-CHUEH
• Format: Others
• Language: zh-TW
• Published: 2017
• Online Access: http://ndltd.ncl.edu.tw/handle/47603730974992507932

碩士 === 國立臺南大學 === 視覺藝術與設計學系視覺藝術教學碩士班 === 105 === The essay focuses on the paintings created from 2016 to 2017. In addition to the inclusion of the literature review and the development of personal creation, the content traces back to the motive and thinking patterns. The author hopes to discover another possibility of existence in Microspace and find abstractive images from concrete objects by Macro Photography in order to set up personal vocabulary. The paintings incorparated are also with the state of mind when the author observes objects.This way, this essay can represent another abstract visual vocabulary which coexists between Microspace and emotion. There are totally five chapters in the essay. Chapter One, the introduction discribes the motive and purpose, research method based on the literature review, research field definition, structure of creation discourse and nominal definition. Chapter Two, discussion of the theory, studies the background of macro photography equipment, photography skills, common creative themes and how photographers create new interpretations with Macro Photography. Chapter Two also presents the works of artists who utilize photographs to help create paintings. Chapter Three, the discussion of creatine form, analyzes the possible visual experiences generated when viewers see the microspace by Visual Perception and the process where artists get materials from the nature by transforming them into abstract elements and patterns in order to understand the influence of the author’s creation. Chapter Four, media skills and concepts of creation , analyzes the media of paintings, the meaning of each painting and the author’s mood during the creation. Chapter Five, the conclusion, reflects the creation of process and mood change and put forward possible development of paintings in the future. The author magnifies a small world under the Macro lens as the content, and finds the best form via many tests. From figurative paintings to abstract paintings, the author creates ambiguous visual images in the hope of stimulating viewers’ empathy and imagination to reinterpret the image meaning. Keywords: Micro-distance, Microcosm, Reorganization, Organic