Hammering into Sculpture-Research on the Change of Textured between Forming and Hammer Forging in Metal Forging Creation─The Discoure on Creation by Li-Cheng Yang

碩士 === 國立臺南大學 === 視覺藝術與設計學系視覺藝術教學碩士班 === 105 === Traditional metal technology, roughly divided into forging and casting. Casting for it`s reproducible, and forging is the metal embryo directly to the tool after the completion of the production of objects. The traces of the processing process become...

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Bibliographic Details
Main Authors: Yang, Li-Cheng, 楊禮誠
Other Authors: Wang ,Duo-Chih
Format: Others
Language:zh-TW
Published: 2017
Online Access:http://ndltd.ncl.edu.tw/handle/95482830774391919556
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Summary:碩士 === 國立臺南大學 === 視覺藝術與設計學系視覺藝術教學碩士班 === 105 === Traditional metal technology, roughly divided into forging and casting. Casting for it`s reproducible, and forging is the metal embryo directly to the tool after the completion of the production of objects. The traces of the processing process become the texture of the metal creation of the material. The forging process in the metal uses a combination of a hammer and a drill to shape the metal into a desired shape. The hammering marks are formed on the metal surface during the beat process, while the drill or the support is against the metal to form a raised trace. Traditional metal forging because of the majority of the use of metal drill auxiliary hammer forging, so the finished work to single-sided metal plate showing the texture changes. In this study, a variety of forging tools and various materials, drilling tools, supporting the combination of the use of samples to record their interaction under the use of changes in metal expression, the texture can be found at the same time in the metal plate inside and outside the hammer way, and the sample production .The process of highlighting the changes in the physical properties of the metal used in the actual creation of a variety of processes based on the adjustment. So that when the metal forging creation can make the hammer forging the purpose of forming metal objects, while leaving the texture of the sculptures such as clay. This paper studies the creation of metal forging by means of textual materials such as material science books, metal craft, artist creation research, paper journals and network information to explore the characteristics of copper metal materials and the existing metalworking technology. Micro-sculpture and tea utensils, coffee objects as an extension of the study of texture forging, the experimental record and practical experience for the integration of use.