Chillida and the Space In-between Nothing and Something

• Main Authors: Wang, Viviane Wei, 王瑋
• Other Authors: Lin, Ta-Long
• Format: Others
• Language: zh-TW
• Published: 2017
• Online Access: http://ndltd.ncl.edu.tw/handle/43td63

博士 === 國立臺灣師範大學 === 美術學系 === 105 === Emptiness and Fullness, Black and White, Light and Shadow, Ying and Yang, these relative concepts provide artists with a variety of creativity and interpretation of the space. Edurado Chillida (1924-2002), a grand Spanish Basque artist, spent his whole life exploring the relationship between material and space. He used giant forge iron sculptures such as Wind Comb by the St. Sebastian city’s reef coast, to express the relationship between interior and exterior, solid and void, time and space, and to create a timeless conversation between human and the environment. His black ink cutting and overlapping paper work are also as powerful as his sculptures, showing the same relative concepts. The balance of dualities such as black/white, heaviness/lightness and emptiness/fullness, give Chillida's work an universal importance. This thesis aims to use phenomenology theories from Aristotle’s concept of Place and Heidegger’s theory of Place and Being to explore the Being of Chillida’s work in our space, and the process of disclosedness, aletheia, just like the process from Nothing to Something.