| Summary: | 碩士 === 國立臺灣師範大學 === 設計學系 === 105 === Street, witness the history of the city! The purpose of this paper is to create a new interpretation of the Sanshia Old Street, which is gradually neglected, by the creation of three-dimensional cards. After the war, Taiwan began to pursue the results of urbanization, traditional architecture, market, street, railway, due to commercial development, urban renewal and recycling, to promote that dozens of full of historical scoring of the walls, with the passage of time , One by one demolition, collapse, a series of additional construction, reconstruction, alteration, street gradually updated, the city after two successive changes, with the symbol of historical memory of the "ancient house" constantly erased from the front, people on the history of memory texture Gradually fade away. I hope that through the soft card design appeal, to attract outsiders to the old times of humanities, old architectural background, the old social appearance, there is a deeper exploration of the will. This study mainly discusses the design and application of the Sanshia Old Street building in the design of three-dimensional card, through the literature analysis of the architectural structure of the street to integrate; dismantling its building facades, doors and windows, plus businessmen, vendors, car and other human elements Deconstruction and reorganization, through the elevation level to interpret the inner cultural connotation of the Sanshia, deepen the concept of the people on the street building. In addition, the three-dimensional card created by the atmosphere of appeal and fun, but also for the value of goods culture to bring innovation. In the design practice, for the new North City, the Sanshia Civilization Street, a total of 103 buildings to do field investigation and shooting records, including the street environment, architectural appearance, arcade interface to image processing as a creative base, supplemented by the overall street elements such as: street Map, street vendors, car furniture, cultural elements of the "virtual" extraction, refining, graphic structure of the analysis into the commodity "real", and gradually collect the integration of the material composition of the finished product. The study summarizes the following three conclusions:
(A) any subject matter can be re-organization creation, especially boring dull, complex and cumbersome objects can be visual art through the visual three-dimensional approach to cause concern.
(B) three-dimensional form of multiple, medium and diverse, old street building theme to three-dimensional card for the creation of media through the paper structure for the dismantling, structure, cultural environment re-interpretation, free from tradition.
(C) through the visual image of the appeal; the designer can not limit the existing form, and even media present situation theme and related elements, images, background, culture, in line with the original intention of creation.
(4) Even if the creation should be based on knowledge, the process through the literature, in the creation of cultural meaning, field investigation and analysis, you can clarify the various areas of expertise, characteristics and similarities and differences in order to design The creation of a more solid and solid.
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