| Summary: | 碩士 === 國立臺東大學 === 進修部美術產業發展碩專(夜間班) === 104 === This research is to explore the beauty of the lines-creative arts and applied research, calligraphic lines are the soul of creation is creation of weapons, this time through the study of ancient and modern theories of calligraphy and aesthetic discourse related to the research, as a reference for individual creative content and form, and theoretical evidence.
The four chapter, chapter one: introduction, explore the motives and purpose, scope, this thesis and research methods. Second chapter: literature discussion, inquiry various calligraphy line of related theory and the line representative of meaning, and line by rendering of mood feel and calligraphy works mood performance of representative introduced, third chapter and interview in to book home on calligraphy line beauty and value, for books in the of seal, and script, and script, and cursive script, and cursive of various calligraphy line of beauty and value, interview Hou meeting whole out related data. The fourth chapter: creative practice and application analysis, express their personal feelings, calligraphy creation theory, principles, methods, materials, and content analysis.The fifth chapter: conclusion, reflections and future prospects for this study.
The purpose of this study has four points: first, learn about the various lines on behalf of meaning and mood when writing performance. Second, from the past dynasties calligraphy theory, concludes with skill and the beauty of line, understand the beauty of shape and structural beauty and dynamic beauty and the art of calligraphy and the beauty of white cloth. Third, in the study of the lines, to understand the emotional feeling and a calligrapher writing lines of emotional expression. Four, do not rigidly adhere to the way of creation, calligraphy combined with the art of living, applied to all aspects of life. Hope through discussion of this study, to enhance personal calligraphy theory based research with a variety of content and form.
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